Another question/questions; WWE has a creative team full of multiple people right? How do they go about creating the multiple stories you see on TV? Like do the same people who came up with the Seth v Kane story also work on whatever love triangle crap Rusev was in? And also would the story/character build ups be better if members/groups of creative were to be assigned to selected wrestlers? I'm not 100% certain but I'm sure it's been that way for something before but I can't remember if it actually was good.
Sorry KB for answering a question in your thread, but I actually have an answer on this one. It's a mixture of both; general ideas get thrown around in a pitch meeting amongst the writing staff. Some ideas get shot down there, but if it looks like there's an idea worth pursuing, it'll get assigned to a writer or a team. (How which writer gets assigned which story? No idea, but I'd assume whomever's leading the writing staff assigns stories based on who's talented at what; the guy who writes a good romantic angle might not be the best fit for a Brock Lesnar story.)
The writer (or team) fleshes out the basic idea of the storyline from a concept, and brings that idea back to the writing team, which reviews and edits it- not just storyline ideas, but also who's available to work what, and for how long. Some ideas fall apart at this point not because they're bad ideas, but because the actors appropriate to the role aren't available; others move on as a set of story points, which are then incorporated into your RAW, Smackdown, and PPV scripts.
Vince pokes his head into the process wherever he feels like poking his head into the process, but isn't the all-consuming force fanbois think he is. Granted, it's his company, and if he wants something he gets it. Micromanaging Vince has gotten old and a bit tired, so he's not all up in the process the way he used to be.
The process is actually very similar to other television shows, except instead of writers being handed entire episodes to write, they're given segments. Also, the pace is
much faster, as instead of 13 half-hour episodes a year, the WWE is producing more than three hundred hours of televised content per year, not including Network material.