At no point in my post did I once insult SD. Not once.
Not even a little bit?
Yes being a recognizable face on TV while simultaneously being the booker is going to lead to more people criticizing you because they know who you are, you're right there. That's not what SD said though, is it? He said that most people were unable to differentiate between the character and the booker Vince Russo. Which is ridiculous, especially since he hasn't been an on screen character in a long time now while still booking, and people still hate on him, regardless of any character he plays. People were hating on Russo back in the Attitude era, before he ever even became an on-screen character, trust me. Saying that most wrestling fans who are intelligent enough to know what a booker even is can't differentiate between Russo the crazy on-screen maniac hugging Scott Steiner and hitting people with chairs and the angles and storylines that have been Vince Russo's work over the years in this business is downright insulting honestly.
That's insulting? But telling somebody that their ideas would only make sense to the mentally disabled isn't?
Semantics rape.
Then you definitely have not invested a reasonable amount of time actually searching for discussions on the successes of various bookers or writers. There are threads praising the booking of Paul Heyman, Vince Russo, Gabe Sapolsky and many other bookers started very frequently. Especially in Heyman's case.
I'll concede Hayman and Sapolsky; but they both fit into the category of 'deified because they work at a lower level' (ECW being lower level is slightly rocky territory, but I think when held in comparison to the wrestling industry at the time I'll get away with it). You almost never see praise for Russo that isn't coming from somebody trying to troll people. The same goes for Vince and Stephanie. The
absolutely see far more threads criticizing them than you do offering credit.
Except Kendrick and Wolfe both weren't "given a new and interesting gimmick" at all, they were playing pretty much the same gimmick they've always had. Nigel as the cocky, arrogant British heel and Kendrick had been working his crazy stoner guru gimmick for quite some time before coming to TNA.
But I get the point you're trying to make and actually agree with you that creative members sometimes do not get the credit they deserve.
Good oh.
Oh, and is that what "Spanky" was. I remember seeing people constantly demanding that Brian Kendrick becomes "Spanky" again back in the day. I always assumed that it was just some weird sex thing.
I don't disagree. I'm a big Sapolsky fan as well and thought his ROH run was one of the best booking runs of the last decade. Just because he wasn't on network television though that doesn't mean he didn't book a more cohesive, interesting, engaging and logical product than some of his peers like Russo.
I didn't watch it, but it probably was more cohesive and logical. Anybody operating at an indy level has things infinitely easier in that regard though. There is a much lighter focus on storyline, and programs are given much longer to develop. A feud between CM Punk and Raven can last for twelve months without the person writing the show really having to do very much. In contrast in the world of weekly episodic television the booker has to be advancing and juggling a dozen different story threads every single week. As such plot holes happen. Then happen in every televised wrestling broadcast, and they also happen in every soap opera (and soap operas have a much easier time of it). They are in no way exclusive to Vince Russo.
Plot holes in TNA are no more prevalent than they are in WWE. Joe got randomly kidnapped and nobody mentioned it. Then again, Edge and Christian used to be related by blood, and nobody brought that up either. At the moment Russo is no worse than anybody else.
Where he may have been worse is WCW, but I'm absolutely not going to blame him too much for that. We've heard in no end of interviews what a nightmare than show was backstage. Loads of the top guys were constantly refusing to job or demanding angles be rewritten. I've heard time and tie again that Nitro was frequently being rewritten
as it went on the air. NOBODY could book a cohesive program under those circumstances, and those circumstances had nothing to do with Russo. You might be able to blame Bischoff or Hogan for it, but Vince Russo really wasn't at fault.
That depends on what you think "his job" is though Gelgarin. Yes it's his job to book/write a weekly wrestling show that never has any breaks, and it's a tough one. But it's how he books that turns people off of him. I don't consider booking angles like the Hogan/Abyss one last year or Samoa Joe being kidnapped and then never having that explained to be "doing his job very well". I'm sure he's putting forth effort, but I think his creative output for the most part sucks, and I'm entitled to having that opinion just as much as you are yours. I see no huge injustices that you're complaining about right now honestly.
I consider his job to be to book TNA in a way that appeals to TNA's audience. Since TNA's audience has repeatedly failed to go anywhere no matter how many times Samoa Joe has mysteriously vanished I can only assume that they are being satisfied by the product. Booking a product that
you don't like doesn't make a person bad at their job, just as booking a product that
I happen to enjoy doesn't make a person good.
However; booking a weekly product which has retained it's entire audience for years during a period where the wrestling industry is in decline, does make a person good at their job. And Vince Russo has been doing that under less than optimal circumstances.