Serious thespian? Give me a break. He wanted to be an action hero, one that is often comedic, sounds a lot like he was always trying to be the Rock character but he changed his name.
Dwayne Johnson
"From now on please call me Dwayne Johnson. I want to be known as Dwayne Johnson the actor, and not The Rock. I loved The Rock; The Rock was a nickname but what's happened is it's naturally progressed into Dwayne 'The Rock' Johnson. When it becomes just Dwayne Johnson, as it will in the next movie Southland Tales, that's fine. I never wanted to make that defining statement. It just didn't feel right to me."
Southland Tales was Rock's attempt to move into more serious roles - it flopped and flopped big. It was the much anticipated follow up to Donnie Darko and it encountered problem after problem before finally being released to tepid reviews and even worse box office.
He also had not failed at all, failure would indicate he did need the money. Failure would indicate he was not still getting or had already filmed good roles. He did what he needed to be a success. No one else from wrestling has succeeded in movies like he has. I have a hard time believing his approach had nothing to do with it. I think it is disgusting that people act like Rock doesn't like pro wrestling at all. I also find it amusing that people really think the WWE is so huge profile booster. What has it done for Austin's movie career? My god that thing really took off after his latest appearance
Just look at how big those stars were consistently lining up to host RAW every week
It really baffles me that people think Rock is in WWE to promote himself, not to promote the WWE to everyone else.
I believe I've already stated that he doesn't need the money.
The A-Team, Real Steel, the Three Stooges - just three examples of Hollywood using RAW to promote their products. Are you telling me that the press releases for GI Joe 2 won't be using footage of WM to highlight what a bad ass Mr Johnson is?
As for SCSA, he doesn't really have the look for Rock roles and the genre he is most suited for has been on the decline since the 80s... but he's still getting steady work 9 years after retiring in ring, so I'd say he hasn't done to badly from being a WWe wrestler.
That was me explaining why I personally had felt that way in the past and was not supposed to have any relevance to you fwiw.
My apology, you've a habit of single paragraph replies - it gave the implication that you were still addressing my post.
Cena was just a prominent example. I'd be amazed if Cena did not have creative control at this point as well. I don't really see why Rock should come back and put over someone that attacked him seemingly unprovoked in the media anyway. If the Rock had creative control why would he still put Cena over in so many other ways? Why is the pinfall all that matters? Even if in some absurd parallel universe he did say I will only come back so I can beat Cena, the powers that be still signed off on it. If you are correct and he needed the WWE more than they needed him then it should have been easy for them to get the booking they desired opposed to this hypothetical major creative control.
Who needs who is a mute argument, it is a mutual thing - WWe benefits from having a guy both revered by wrestling fans and a Hollywood star to boot. Rock benefits from re-establishing himself with the role that made him a Hollywood star and the PR that will entail.
You say that he doesn't need to do this but I ask you this, what was the last film to open solely on his name and be a box office smash?
GI Joe 2 (2013) - a sequel to a film he wasn't in AND it also features a certain Mr Bruce Willis.
Journey 2 (2012) - again, a sequel to a film he wasn't in: budget $79m; domestic gross $102.
F&F5 (2011) - another sequel, again his first appearance in series: budget $125m; domestic gross $205m.
Faster (2010) - Budget $24m; domestic gross $23m.
Tooth Fairy (2010) - Budget $48m; domestic $60m.
Planet 51 (2009) - Budget $70m; domestic $42m.
Race To Witch Mountain (2009) - Budget $65; domestic gross $67.
The Game Plan (2007) - Budget $22; domestic gross $90.
Gridiron Gang (2006) - Budget $30; domestic gross $38m.
Southland Tales (2006) - Budget $17m; $275 thousand domestic... hmmm, serious REALLY didn't work out!
Doom (2005) - Budget $60; domestic gross $28.
Walking Tall (2004) - Budget $58; domestic gross $45.
The Rundown (2003) - Budget $85; domestic gross $47.
The Scorpion King (2002) - Budget $60; domestic gross $91.
So the only film that has really sold in the US on his name value alone is the Game Plan. Asides from that, he is only regarded a safe per of hands when the original star(s) jump ship or if a action background supporting guy is needed (like The Other Guys or Get Smart).
Simple fact: Dwayne Johnson's movie career immediately prior to WM27 wasn't overly rosey. Strangely, his Hollywood career looks one hell of a lot stronger since the collaboration.
If you guys want to believe he came back for love of the industry, that's your prerogative. Don't feel you have any right to lambaste me for mine though, as far as I'm concerned circumstances, evidence and his luminaries have carried me to my opinion.