Ty Burna
Getting Noticed By Management
SK said:3. Why has everything got to be one or the other?
I mean, I know we all compare things and that's fine but it just gets annoying. Why do you have to like either old or new school rap, why can't you just appreciate both for what they are. I know were not going to get another Pac, but back then we never had a Kanye, I don't see why it's got to be one or the other, just seems like people are so stuck in their ways that they are unwilling to give anything a chance. Can anyone explain it?
I'll give it a shot. I think what it is is that the old school cats grew up with the lyricism of a 2pac or a Wu Tang Clan, and back then we didn't exactly have the access to artists like we do nowadays. You take a look at artists like Drake who hasn't even released a full retail album yet, and they're getting Grammy nominations. I realize the Grammy's don't mean shit nowadays, but it's ridiculous to think about other hip hop artists who have been in the game for almost 20 years, a full catalog of albums to choose from, and not even get a sniff at such an award. At least to me it seems like the focus moved away from the MC to the producer's beat. As long as you have a popular "hot" beat nowadays, you can get a single. You could repeat the chorus over and over again and never actually have any meaning to the song, and hit #1 on the charts.
Now take that, and compare it to Enter The Wu Tang (36 Chambers) by the Wu Tang Clan. The RZA used beats that sound minimalist compared to today's beats and it also had a raw gritty sound. The beats were used mostly to keep the MC's in focus on the rhythm of the song and flow to it. The purpose for this was to allow the MC's lyrics and flow to shine on the track, rather than the beat taking away from them. This is the biggest difference between then, and now. Then it was about making a beat to complement the MC. Now it's about making a beat that just sounds good but doesn't complement what the MC wants to do on the track. It's about making a club beat now, and that's all there is to it anymore. This is what bothers me the most. It isn't about the artist's lyrical and flowing abilities that's the main focus of the music anymore. It's about if the track can sell and the beat is good enough to get it onto heavy rotation at clubs and radios. It's borderline techno slowed down. That's what it sounds like to me nowadays.
Now, why do we choose sides? I'm not sure to be honest. It's a matter of personal opinion for each person and it seems like a majority of opinions are either with the new hip hop completely, or with the old school hip hop completely. There aren't many that are in that middle ground. And even then, a lot of us find new artists that we enjoy. Me for instance, I"m big on Houston rap and underground artists. They aren't from the old school but I enjoy their sound and play them as much as my hip hop classics. X, JMT and others are huge Kid Cudi fans, and I know they're all old school hip hop heads. It's all preference in the end, and for some reason, when it comes to old versus new, there are real strong opinions going both ways.