So I'm listening to that new compliation album from Kanye West (ironically from the "GOOD Music" label), and I start thinking... I wonder if I'll still
hate My Beautiful Dark Twisted Fantasy if I listen to it again. You know, the rap album more acclaimed than Jesus? Chances are I probably still don't enjoy it. Then again, I've never enjoyed Kanye for more than one or two songs; but mostly for the covers of Heartless that OTHER artists do.
1. Dark Fantasy: A really fun intro. I hate to admit it, but Nicki Minaj's narrative is actually pretty cool. The "In High Places" sample is great, made more chilling by the guest voices. And then the classic back beat drops...and we get four "yeah" grunts from Kayne and my eyes are already rolling. The song remains good when it focuses on the sample track, and Kanye has some great lines in the bridge. It hits lows with obnoxious "huh?" grunts and when attempts to actually sing a few bars; terribly off-key, might I add. Should have ended at the 3:30 mark after the refrain, but instead they just let it wander for another minute, and it comes back to the hook...again... Too much. But overall, not bad.
2. Gorgeous: I was into it from the beginning with the 8-bar guitar riff. And then he repeated it for about five minutes. For whatever reason, after about 2 minutes I couldn't concentrate on anything but that noise. Except on some lines about Kanye's "black balls". Not a terrible song, but again...too long. There's not enough fresh material in this song to merit 6 minutes. A radio edit could be somewhat enjoyable.
3. POWER: First of all, fist bump for the King Crimson sample. This song is pretty classic hiphop, and I like it more than probably anything else on "Twisted Fantasy". It's ironic, because as far as lyrics he's probably at his most arrogant I've seen him since throwing a tantrum over the South Park intro. Still, the rap was solid and he dropped into this real chill R&B groove in the last minute with some badass synth parts leading us out. Some of the best material I've seen from the Louis Vuoitton Don...ever.
4. All of the Lights: Elton...motherfucking...John. That is all. No, it's not actually all...but seriously? Elton John on a Yeezy album? What in the literal fuck is happening in this world? This was, including the intro track, Kanye's first attempt at an "epic" in quite away. In a lot of ways he succeeded; I thought it was pretty forced and contrived, especially if you try and make it through the music video. It's so damn cheesy. Like when you're watching an indy wrestling show and they cart out all these big names from the past, and you know that's the only thing holding the show together. I will say...adding Rihanna's voice to anything makes it better. The others I could have done with out.
5. Monster: What is Kanye's obsession with making obnoxious noises? The first three seconds of this song make me want to skip the track, every single time. The rest of the song doesn't help either. I like Jay Z when he's rapping, so that's cool. Nicki Minaj just turns me off in every single way possible. Granted, I think she was supposed to be super creepy in this song, and very much succeeded. Another song that drags on far too long.
6. So Appalled: One hand in the air, if you don't really care. Middle finger in the air, if you don't really care. (And yes...they stole a line from The Dark Knight)
7. Devin in a New Dress: I suppose this is Rap-Hop's version of a "ballad". Definitely more of an R&B feeling. There are a few flases of good material in the transitions, and I'm a fan of the way it ended so very abruptly (if for no other reason than the song was over).
8. Runaway: I thought this was Kanye coming out and basically feeling sorry for being a douchebag. And then...it turns out it's more about how he's accepted that he's a jackass, and has pretty much embraced it. It's now everybody else's fault, because they know what he's like, but keep coming back. I guess there's some logic - if not a total lack of personal responsibility - in that idea. The moral of the song: run the fuck away from Kanye. Hence the title. I'm not sure why they decided to make THIS the epic of the album, and over 9 minutes long. Or why Rolling Stones thought it was the best song of its year... He might say something meaningful behind all the autotuned, vocoder in the end, but we'll never know. As an artist I want to think that's intentional and expressive - that we don't really ever hear what he's saying because we're too busy hating - but I think that's giving him WAY too much credit.
9. Hell of a Life: This song does it's job. It's filler, and pretty obvious filler at that. Nothing too intense, so you can detox from the 9-minute "epic", but enough to keep you interested for the wind down into the final song.
10. Blame Game: This song is incredibly chill (thank you John Legend), and I dig it. When Kanye does pop back in for a verse or two, it feels like they have meaning. That is, until you realize he's talking about the usual - beating chicks, bitches "getting dick", etc etc. But hey, it's mostly about breakups and heartbreak, and that's something we can all pretty much resonate with. Interesting choice putting a track from Chris Rock in there. Unfortunately it took the song from chill and fun, to annoying and overly sexually in about 2 seconds flat. Sigh... I did laugh when Chris says "Imma shoot a bootlegger, that's how good I feel!" I laugh, because I remember how I obtained the album...
11. Lost in the World: One of the biggest shocks I think I've ever experienced was finding out that Justin Vernon (Bon Iver) and Kayne are really close friends.

But dear god, why take the gorgous voice of Bon Iver - which admittedly is altered in some weird ways on his album(s) - and cover it in about 10 layers of auto-tune? A fun song, with some cool mixes from various other parts of the album. A good way to end it. I just can't get past...well, at least what I perceive to be the bastardization of Bon Iver.
12. Who Will Survive in America: Pretty iconic end to the album. I thought it was annoying, but...you know, I got why fans of the genre would like it. To me it just sounded like they were going for "shock factor" with some of the controversial lines, but they don't actually mean anything.
Overall...not bad. I "liked" it much more than I did in 2010, that's for sure. Some fun songs, but most of them way too long with not enough substance to fill. The album in itself is over an hour, which is impressive these days. I didn't absolutely hate it - save for some of his really obnoxious, overtly frustrating lyrics.
Try as I may, I just couldn't shake the feeling that, in terms of rap, I'd rather be listening to this:
[YOUTUBE]D4hAVemuQXY[/YOUTUBE]
In terms of hip-hop, I'd rather be listening to:
[YOUTUBE]uelHwf8o7_U[/YOUTUBE]
I don't know why, but I love this music video. Probably the best thing Megan Fox has ever been in. Scratch that, THE best thing she's ever done. And yeah, that's Dominic Monaghan for anybody wondering (Charlie from Lost, Meri from LOTR).