When did rape become art?

Why is some violence like murder okay to exploit for entertainment, but rape can't be used in a film like Irreversible, a work of art? The rape in that film is not in any way exploitative or presented for shock value, it's shown as the despicable and disgusting act that rape is. It absolutely disgusts the viewer, as it should. What Irreversible does so magnificently though is elicit that same reaction from the viewer from the other violence in the film as well. Instead of the cheering Americans are used to when the good guy gets his violent bloody revenge on the bad guy, in Irreversible you're repulsed and disturbed by that violent revenge. That's the films greatest accomplishment---it shows violence for what it truly is; terrible and despicable, and not "entertaining" in the way that American films present it at all.

Amidst our modern culture nonsexual violence (nsv) will forever be the genie out of the bottle. At this point it's somewhat ingrained and has been amplified, exploited, lampooned, and trivialized in media to the point of almost complete desensitization. Irréversible, as Xfb4 has said was an attempt to perhaps not place the genie back in the bottle but open up a dialog and critical thinking so that perhaps we can begin to see nsv for the horror it is.
One way to achieve this is to place it within the context of an act that we all (judging by replies of this threat alone) can agree is deplorable and void of any possible positive connotation i.e. sexual violence/rape. By placing both acts on the same level the storyteller is attempting to remind us all what crude instincts are still very common place in our fellow man and how we should see all violence, be it sexual or otherwise, as inhuman treatment of one another.

As to why I think IC may find rape so much worse than common phyiscal nonsexual violence is for me a combination of the aforementioned cultural nsv desensitization -hell this board is all about the glorification of a for of entertainment and storytelling that employs the art of fake fighting- and the lack of a corollary between nsv and sexual violence with regards to rape's inherent twisting of a truly loving act.
Sexual violence like rape perverts and twists what we know to be a physically, emotionally, and psychologically positive, gratifying, and some would say sacred act. In mutilating that act into what rape becomes it also mutilates the same love and positive emotional connections. In essence it reduces the sublime into the grotesque and robs the victim -and in this case the audience who watches the victim- of all the positively charged constructs associated with consensual sex and love making.
Standard violence doesn't have that. Violence is violence there's no perversion and corruption of something better/purer that violence destroys. It is what it is. You know where you stand and you know how you feel about it. We can all get a good handle on violence and wrap or heads around it. For lack of a better term it's simple. Thus when comparing the two rape carries a load that we are unaccustomed to dealing with and processing appropriately.
In a perfect world perhaps it would be best to see all forms of violence as shades of the same color and try to reign in the other forms we put out on display. Impossible as that that may be, and with regards to the essence of the original post, if people's creations withing the varying forms of art and entertainment and even social theory can lead to such discussions as we are doing now I must say that it proves in some fashion that the works do produce something that has some merit and therefore have a right to exist, even if it's to challenge that very right to exist, no matter how deplorable some may find them.
To me life influences art and art imitates life, and sadly rape is a part of this life we live, thus we have rape within the contexts of the arts and communications media. Like any other topic or subject matter that we use to convey thoughts, ideas, and emotions between one another the topic of sexual violence and rape is more about how it's presented and the reasoning behind it's use. It's a cautionary topic to be sure and as evidenced by our disjointed opinions will almost assuredly anger or upset someone somewhere regardless of how such displays are handled. Simply put as a topic and subject it's another tool in the tool box of human thought sharing and communication and should be understood that it's only there because it is also a part of genuine human behavior and interaction. In the end I believe it's the "hows", the "whys" and the "what now"s that are the most important piece of the final social construct created upon it employ. Disjointed and rambling but I hope you all get what I'm saying.
 
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Rape is a part of human nature and it always has been. Not representing it in film or drama is a neglectfulthing to do. Art imitates life, and when you remove aspects of life from art, you remove its potency. It is the tastefulness of the rape scenes that is questionable. Something like rape needs to be portrayed in a way that is true to life, but that neither trivialises nor glamourises the fact. I haven't seen the Hills Have Eyes, but if it repulses you then it is doing its job. Rape is repulsive, and we shouldn't be desensitised to that by making it entertainment.

Sex and violence are pretty much the dominant things in human nature, and to take them out of art betrays that fact. I don't want to watch a rape in a film, but I don't want to watch killing either. It's such a pretentious thing to say, but art is meant to challenge you, and this subject does that.
 
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