Logan Mcallister
So, first and foremost, I know that you have mentioned in the past that you've lost a few matches, and I just wanted to make sure you weren't getting discouraged. So, just to give you an idea of what I
think is happening here, I'll sum up my start as a rookie.
So, when I started, I started as Dr. Zeus. And my first match was Thrash, but the difficulty ratcheted up...well, a fuckton. The nest week, I got Blade (who was quite good, and returning from a long exile), and at the first PPV, I wrestled against FalKon, as a setup to wrestle Steven Kurtesy, a former world champion. Normally with rookies, there's a bit of a curve; you give the writer some time to sort out the character, and think of an arc that you want to take your character to. When I returned as Eternal Question, I kind of did get that, as most rookies did. I faced fellow rookies, and in contrast to Dr. Zeus, had some time to figure out my character (and time to figure out I hated him)
What does this have to do you with you, you ask? Well, let's look at some of your opponents, thus far;
- Kagura (Echelon, former tag team champion writer. This isn't his first rodeo)
- Johnny Scumm (Thrash's most successful character, he knows what he's doing)
- Mikey Stormrage (Who's the head guy, been around the block, former tag champion, Eurasian champ, you get the drill)
Wasn't Yaz your first match in the fed?
Anyway, if given the choice between the Zeus push and the Eternal Question push, you're getting much more of the former. What I'm sensing (and I don't really have any sort of truth to this statement, just guessing) is that creative sees a lot of talent in you, and a lot of potential in Logan. And for good reason; you have a great character, you have formatting down, you have the art of storytelling. In short, you're a rookie, but you don't come off as a rookie. And thus, you're sort of getting a baptism by fire, because creative wants to see where you can go, and see what your limit is.
So yeah, if it feels like you're taking a lot of losses, it may have to do with that. Honestly, the only thing you can do is let the losses guide your storytelling, which is something I really liked about your RP. You can sense the emotion to it; you're letting the results influence the character, and it helps provide emotion for your RPs. It's really good to see Logan really struggle with this need to provide for his son. It's great, and that feeling of disappointment is something I think we can all relate to.
Sometimes, though, you need to show us, and not tell us. I'm guilty of this, too, so I'll be the first to admit it is not easy. Here's a good example.
Hearing his say he was to bummed out to get autographs struck a chord with Logan. He not only disappointed himself, but obviously, he had disappointed his son as well.
And that fucking hurt.
This line comes really close to just telling us what we should feel, rather than letting us feel the emotion. I think we can all imagine disappointing a loved one really blows. But show us a physical action that Logan does, to really show that to us. Don't just tell us it hurts, show us Logan being wounded. Maybe he's quiet for a bit, looks around a bit flummoxed, maybe just gets into the car with slumped shoulders. Show us, but don't tell us how to feel. If you give us enough description, we'll know to feel sympathy for the character.
Now, onto Logan the actual character... It's someone we can all relate to, but it feels a lot like the Kevin Steen/Owens character. I think creative really wants to add a new spin to the character, to really make it your own. For example, Logan comes from Boston; work some of that into the gimmick. For a while, we had a writer named Theo Mays in the fed, who wrote the Beard. Theo also wrote a really strong character for a PPV called "All Stars", that was based on the "Boston Strong" thing. His name was Robbie Lumbar, and here was his RP for the PPV
http://forums.wrestlezone.com/showthread.php?t=263549&highlight=boston+strong
Do you have to play up the whole Bahstan gimmick? Not to a stereotypical amount, but little touches like that separate you from the Steen/Owens gimmick, and make it your own. Having a character from Boston really does open a lot of potential to write about Boston;
use it. Maybe talk about his relationship with his own father. Something to really make this gimmick stand out, and make it your own.
Hope all this helps.