Dowdsy McDowds
Sally was here
Zombies. One of the best 'monster' creatures in modern fiction. Be it film, tv or paper media. Their symbolism is often used to reflect a mass of people behaving mindlessly (be it as consumers or even as an armed force following instruction) and only acting on impulse.
The 00's seemed to resurrect (pardon the pun) these creatures back into the public conscious with a slew of successful films: 28 Days Later, Dawn of the Dead, Shaun of the Dead and Rec amongst others.
28 Days Later was a low budget film with high standards set by the opening sequence of a deserted London as the hero awakes to find himself completely alone in one of the (usually) most bustling and cosmopolitan cities in the world.
Dawn of the Dead was a remake of the fantastic 1978 original that kept the message of consumerism being a zombie-esque practice by the living alive but was able to play with conventions from the original that centred on the audience caring about the main band of survivors.
Shaun of the Dead was Edgar Wright's breakout film and brought a lot of the same pop-culture savvy from Spaced and again played with the conventions of the typical zombie film (Don't say the Z word... it's ridiculous!)
Rec was a Spanish film that took inspiration from the 1st person approach used in Cloverfield to amplify the tension and terror.
The 4 films mentioned either added or paid respect to the zombie sub-genre. However, the 2 productions in the thread title are what I really want to discuss as in some ways it seems that those in charge of them have been guilty of becoming zombies themselves. Allow me to explain.
Walking Dead
The graphic novel series is fantastic. Starting similarly to 28 Days Later, the hero Rick Grimes awakes from a shooting induced coma to try and find out what has happened and where his family are. Like the series, he finds them relatively early on and becomes the "leader" of the survivors.
The strongest image in the graphic novels is when the survivors find a prison in the middle of nowhere and set about taking out the zombies within, fixing the fencing surrounding it and trying to trust the prisoners who have survived. The visual metaphor is very strong; when society was normal this is the last place they'd wish to be and had limitless options. Now society has collapsed, to retain their humanity they have had to lock themselves into a prison to maintain that while the hordes of zombies try to break in, with Rick eventually yelling at the group that in fact they, the survivors, ARE the walking dead.
At the end of the first TV series, the audience discovers how the virus started after finding a scientist. In the novels, this does not happen until much much later on, as one question they are "imprisoned" by is how it all started. After seeing that giveaway so early on in the tv series, I was incredibly shocked and disappointed they didn't try and drag this out a lot longer and get some mileage out of it.
Final thought, is it perhaps worth reading into that Darabont fired all the writers after the first series concluded?
World War Z
World War Z is a book written after a zombie infestation has nearly wiped out the world's population, and is written as a series of interviews varying in length about different aspects of the zombie problem.
It's scope is huge and imaginative; from the breakout in China, to South Africa's hardline policy to protect themselves, to underlying Xenophobia in Israel/Egypt, to Japanese and South Koreans decimating the whale population by surviving on the sea through to the efforts to rebuild the world.
If ever a book is designed to be a tv series, this is it. However, Brad Pitt and his production company are currently filming a film version of the book, I guess with a view to further films depending on the initial success of the film. From what I've read it doesn't seem to be a retrospective film but instead will follow Brad Pitt's character as he fights through the chaos.
So, the questions of the thread.
Does it seem that the producers themselves have become zombies in a sense by following the traditional styles of series'/films even when the source material gave them the option to do something more ambitious/different?
What are your general thoughts on WWZ and TWD? (Either the originals, adaptations or both)
Do you imagine the zombie bubble will burst soon?
Any other thoughts welcome
(Apologies if this came across as too ranty, can get a bit passionate about things I like not being done justice too!)
The 00's seemed to resurrect (pardon the pun) these creatures back into the public conscious with a slew of successful films: 28 Days Later, Dawn of the Dead, Shaun of the Dead and Rec amongst others.
28 Days Later was a low budget film with high standards set by the opening sequence of a deserted London as the hero awakes to find himself completely alone in one of the (usually) most bustling and cosmopolitan cities in the world.
Dawn of the Dead was a remake of the fantastic 1978 original that kept the message of consumerism being a zombie-esque practice by the living alive but was able to play with conventions from the original that centred on the audience caring about the main band of survivors.
Shaun of the Dead was Edgar Wright's breakout film and brought a lot of the same pop-culture savvy from Spaced and again played with the conventions of the typical zombie film (Don't say the Z word... it's ridiculous!)
Rec was a Spanish film that took inspiration from the 1st person approach used in Cloverfield to amplify the tension and terror.
The 4 films mentioned either added or paid respect to the zombie sub-genre. However, the 2 productions in the thread title are what I really want to discuss as in some ways it seems that those in charge of them have been guilty of becoming zombies themselves. Allow me to explain.
Walking Dead
The graphic novel series is fantastic. Starting similarly to 28 Days Later, the hero Rick Grimes awakes from a shooting induced coma to try and find out what has happened and where his family are. Like the series, he finds them relatively early on and becomes the "leader" of the survivors.
The strongest image in the graphic novels is when the survivors find a prison in the middle of nowhere and set about taking out the zombies within, fixing the fencing surrounding it and trying to trust the prisoners who have survived. The visual metaphor is very strong; when society was normal this is the last place they'd wish to be and had limitless options. Now society has collapsed, to retain their humanity they have had to lock themselves into a prison to maintain that while the hordes of zombies try to break in, with Rick eventually yelling at the group that in fact they, the survivors, ARE the walking dead.
At the end of the first TV series, the audience discovers how the virus started after finding a scientist. In the novels, this does not happen until much much later on, as one question they are "imprisoned" by is how it all started. After seeing that giveaway so early on in the tv series, I was incredibly shocked and disappointed they didn't try and drag this out a lot longer and get some mileage out of it.
Final thought, is it perhaps worth reading into that Darabont fired all the writers after the first series concluded?
World War Z
World War Z is a book written after a zombie infestation has nearly wiped out the world's population, and is written as a series of interviews varying in length about different aspects of the zombie problem.
It's scope is huge and imaginative; from the breakout in China, to South Africa's hardline policy to protect themselves, to underlying Xenophobia in Israel/Egypt, to Japanese and South Koreans decimating the whale population by surviving on the sea through to the efforts to rebuild the world.
If ever a book is designed to be a tv series, this is it. However, Brad Pitt and his production company are currently filming a film version of the book, I guess with a view to further films depending on the initial success of the film. From what I've read it doesn't seem to be a retrospective film but instead will follow Brad Pitt's character as he fights through the chaos.
So, the questions of the thread.
Does it seem that the producers themselves have become zombies in a sense by following the traditional styles of series'/films even when the source material gave them the option to do something more ambitious/different?
What are your general thoughts on WWZ and TWD? (Either the originals, adaptations or both)
Do you imagine the zombie bubble will burst soon?
Any other thoughts welcome
(Apologies if this came across as too ranty, can get a bit passionate about things I like not being done justice too!)