It's Damn Real!
The undisputed, undefeated TNA &
From a psychological and sociological (as well as anthropological) perspective, identity is effectively the collective conception and expression of a persons' own self, juxtaposed against (or with) group affiliations.
But in simpler terms, it's simply what you identify as. What you expect to be perceived as by others. Most people's identities encompass far more than one trait or group or characteristic, but in the sense of pro wrestling, what we often see is that the identify of the program or company is largely the same. They may have smaller, less important deviations and variations, but all of them adhere to an overall "theme" that is ultimately how that company is perceived.
Lucha Underground, for example, carries with it a saturated soap opera-style storyline that serves to feed the in-ring reasoning of why the men and women of LU are fighting in their ring. It's all shot in high definition with high contrast lighting in a "temple" that is designed to appear in a manner in which most would associate with an underground "Mexican" theme. You're made to feel like you are a spectator to an underground fight club of sorts, run by an untrustworthy promoter, where the action in the ring is also designed to come across as "real" as possible. There's little, if any, comedic relief, and they display the product itself in a very kayfabe-protective style. They also play to the anthropological aspects Mexico's ancestry, specifically it's cultural connections to the Aztecs, right down to their fascination with death. Many of their characters fall in line with this, including Mil Muertes, Pentagon Jr., Vampiro and more.
So what is LU's identity? If you are asking me, I'd say they are a high-pace, high-impact product that is designed to appeal to the historical record of luchadore wrestling and Aztec warrior culture. When you combine all the elements into one product they sell you, the target audience for them would hit as many of these targets as possible, if not all.
TNA, for years, I would have argued were also a high-impact, high-pace, high-contrast product. They effectively stole/borrowed/lifted from the independent scene, predominantly ROH, and took the same approach and style most of those federations and companies operated with but lit it and presented it like higher-priced theatre. The acronym TNA, after all, is supposed to stand for Total Nonstop Action. A play on words designed to attract an audience craving the kind of wall-to-wall action they were apparently presenting you. And for years they did. Then they moved away from it and shifted focus in the "IMPACT Wrestling" era during and post-Hogan, but have now, in a way, attempted to move back toward the identity of old.
But I have a hard time buying it. I don't know if it's the tainted history of that Hogan-era shift, the change in cable carrier, the wealth of associated talent that's left or some ominous combination of all of them, but I'm just having such a difficult time understanding the identity TNA/IW are trying to establish (or re-establish).
The product itself, the wrestling itself, have all been better than average for months in spite of the negative response from fans (mostly online), in spite of the rumors of cancellation and in spite of the cable carrier shift. Hell, even in spite of the wave of talent that's left and is being replaced by far lesser known faces. Yet I can't help but feel the company itself is still in the midst of a damaging identity crisis that they not only created themselves, but can't seem to get out from under.
I can't imagine I'm alone in thinking that, but I figured the best place to start would be to simply ask everyone outright what you consider TNA's identity to actually be?
But in simpler terms, it's simply what you identify as. What you expect to be perceived as by others. Most people's identities encompass far more than one trait or group or characteristic, but in the sense of pro wrestling, what we often see is that the identify of the program or company is largely the same. They may have smaller, less important deviations and variations, but all of them adhere to an overall "theme" that is ultimately how that company is perceived.
Lucha Underground, for example, carries with it a saturated soap opera-style storyline that serves to feed the in-ring reasoning of why the men and women of LU are fighting in their ring. It's all shot in high definition with high contrast lighting in a "temple" that is designed to appear in a manner in which most would associate with an underground "Mexican" theme. You're made to feel like you are a spectator to an underground fight club of sorts, run by an untrustworthy promoter, where the action in the ring is also designed to come across as "real" as possible. There's little, if any, comedic relief, and they display the product itself in a very kayfabe-protective style. They also play to the anthropological aspects Mexico's ancestry, specifically it's cultural connections to the Aztecs, right down to their fascination with death. Many of their characters fall in line with this, including Mil Muertes, Pentagon Jr., Vampiro and more.
So what is LU's identity? If you are asking me, I'd say they are a high-pace, high-impact product that is designed to appeal to the historical record of luchadore wrestling and Aztec warrior culture. When you combine all the elements into one product they sell you, the target audience for them would hit as many of these targets as possible, if not all.
TNA, for years, I would have argued were also a high-impact, high-pace, high-contrast product. They effectively stole/borrowed/lifted from the independent scene, predominantly ROH, and took the same approach and style most of those federations and companies operated with but lit it and presented it like higher-priced theatre. The acronym TNA, after all, is supposed to stand for Total Nonstop Action. A play on words designed to attract an audience craving the kind of wall-to-wall action they were apparently presenting you. And for years they did. Then they moved away from it and shifted focus in the "IMPACT Wrestling" era during and post-Hogan, but have now, in a way, attempted to move back toward the identity of old.
But I have a hard time buying it. I don't know if it's the tainted history of that Hogan-era shift, the change in cable carrier, the wealth of associated talent that's left or some ominous combination of all of them, but I'm just having such a difficult time understanding the identity TNA/IW are trying to establish (or re-establish).
The product itself, the wrestling itself, have all been better than average for months in spite of the negative response from fans (mostly online), in spite of the rumors of cancellation and in spite of the cable carrier shift. Hell, even in spite of the wave of talent that's left and is being replaced by far lesser known faces. Yet I can't help but feel the company itself is still in the midst of a damaging identity crisis that they not only created themselves, but can't seem to get out from under.
I can't imagine I'm alone in thinking that, but I figured the best place to start would be to simply ask everyone outright what you consider TNA's identity to actually be?