Cash, I agree with, right up until the end he could get a lot of emotion out of his voice. Dylan, not so much, He has no sense of timing whatsoever, his lyrics never fit the music and he is basically shouts the chorus. The emotive qualities are absent. His songs are pretty much all melancholic, so it's hard to find comparisions, granted, but he sings every single song in the same style, whih is a lack of versitility. Compare that Cash who sounds completely different in Ring of Fire than he does in something like Hurt.
Every criticism you just made about Dylan I'm assuming refers to his recent work. Because Dylan's recent work falls more under what you're saying...and you have to remember the man is almost 70 freakin' years old now. Find me a 67 year old with a melodic singing voice.
But his classic 60's and 70's work is very different from the descriptions you just made. As for saying Dylan couldn't get alot of emotion out of his voice...that's ridiculious. Listen to the song "Knockin' on Heaven's Door" and tell me there's no emotion in his voice. Or the song "Girl From the North Country". The yearning emotion in his voice for a girl he once loved is almost palpable.
Isn't it? Billy Bragg is a folk singer and his guitar work is far better, Woody Gutherie is also miles better. His songs are second only to the Beatles? Last time I checked, he had sold a lot fewer records than a lot more bands than that, but I suppose he's a poet, so it doesn't matter, as long as music journalists like him.
Billy Bragg is great, but Bragg would be the very first to tell you that he doesn't even hold a candle to Dylan. Guthrie is also a legend, and the main influence on Dylan's career, but also was hardly a guitar virtuoso. I'm not sure how you can criticize Dylan's guitar playing but not Guthrie's...Guthrie (and folk music in general) was as simplistic as it comes.
Check out Dylan's 1975 Rolling Thunder Live CD. Maybe that'll change your mind about Dylan's guitar playing.
I get that folk music is built around chord patterns, but Dylan's music is less versitile than a Punk band. G,A,C,D and repeat.
What's wrong with simplicity? I never understood that criticism, especially in reference to punk. Who ever made the decree that the more varied chords you play the "better" of a band you are? That was always ridiculious to me, because emotion and soul are probably just as if not more important than actual musical skill.
My point isn't about the content, I am well aware of folk music, thanks. I'm not criticizing him for writing about peace and love, I'm criticising him for songs like Blowin in the wind, which instead of offering anything interesting just has a load of cliches.
A load of cliches? You have to remember that song came out in 1963, and in 63 those lyrics were not a cliche. It was big-time taboo to write anything even resembling anti-war or pacifist lyrics, for fear of being labelled a communist. This was before the hippies remember. So I'm not sure where you're getting the cliche ideas. Also, if you look at the majority of Dylan's lyrics, the majority are not about peace and war, but about love and life. You can't pigeonhole the man into only singing about politics because that's crap.
People seem to mistake a series of nonsensical ramblings as some sort of high and mighty symbolism, when it really isn't. Half of Desolation Row is just sprouting things that rhyme out of his arse, but you will definitely respond by saying "I don't get the message", when in fact it's because there isn't one. The fact of the matter is that his lyrics aren't very insightful at all.
Sprouting things that rhyme out of his ass? Are you aware of the term "beat poetry"? Because that's pretty much the definition of it. Desolation Row however isn't just a slew of random rhyming words thrown together, it's a minstrel song at heart, and under those definitions it works pefectly. Aside from that, it's just a great song through and through.
As for his lyrics not being insightful...that's also pretty ridiculious. Cite me an example of what you would consider to be "insightful" lyrics, and I'll reply with some Dylan lyrics.
The true master wordsmiths write their poetry/music or whatever so that it is in natural form. Like A Rolling Stone is completely twisted and distorted so that it doesn't really make any sense if you read it how he's written it, and you have to reorder the words yourself. At least it rhymes though, right?
Since when did lyrics/poetry have to make any sense? That flies right in the face of the entire spirit of the cultural revolution of the 60s, and especially the beatnik movement from which Dylan took major inspiration. The entire point of that movement was to break rules and show that poetry didn't have to fall under your basic A B A B rhyming scheme. If you think Dylan's poetry doesn't make sense, you'd absolutely hate Jack Kerouac or Allen Ginsberg, but they're both still among the most respected artistic voices of the 20th century.
Besides, Like a Rolling Stone makes absolute perfect sense. What doesn't make sense? Dylan describes someone who's out on their own for the first time in their life. It's rather obvious.
Errr... Subterranean Homesick Blues is completely political, and it isn't very beautiful, what exactly is so good about it?
SHB is not an overtly political song at all. It's got maybe two lines referencing politics. The rest is entirely about the culture of the time and growing rift between the young and old generations. As for what's beautiful about it...beauty is in the eye of the beholder. If you can't appreciate the beatnik poetry of the song, then that's on you man. It doesn't somehow negate his work. Again, Dylan's lyrics are incredibly similiar to beatnik poetry, and if you have an appreciation for beatnik poetry like I do, then Dylan's lyrics will always make you smile.
Visions of Johanna: "See the primitive wallflower freeze/ When the jelly-faced women all sneeze/ Hear the one with the mustache say, "Jeeze/ I can't find my knees" I cannot understand why you think that is good, that is Dylan rhyme finding at his worst.
Again, refer to the beatnik poetry explanation I've just given. Besides, from that same song:
Now, little boy lost, he takes himself so seriously
He brags of his misery, he likes to live dangerously
And when bringing her name up
He speaks of a farewell kiss to me
He's sure got a lotta gall to be so useless and all
Muttering small talk at the wall while I'm in the hall
How can I explain?
Oh, it's so hard to get on
And these visions of Johanna, they kept me up past the dawn
That's great lyricism right there.
The Times They Are A Changin is quite a cynical attempt to make a protest song, again rhyme finding along with about two salient points.
Cynical? The Times They Are A-Changin' is anything but cynical, contrarily it's a song full of hope over the changing culture of the US. Yes, the song does send out warnings to those that refuse to keep up with the times, but it's hardly a cynical song. Any song about politics could be considered cynical quite honestly, it's inherent to the subject.
Beautiful Prose? Dylan wouldn't know prose if it punched him in the face. Dylan strives for rhymes that aren't there all of the time. If he wrote good prose, he wouldn't need that. Prose by it's definition is without rhythm and rhyme. No offence intended, but if you think Dylan writes prose, you truly don't understand what constitutes prose full stop, let alone beautiful prose.
"Strives for rhymes". How the hell would you know? Were you sitting in on Dylan while he writes lyrics? If anything I would have thought you'd argue the opposite, that he just throws words out there at a breakneck speed without a second thought, not striving for rhymes.
As for prose, yes, Dylan has written prose. Example A would be his semi-autobiography Chronicles Vol. 1. I believe you're thinking of prose as it applies to poetry, which it does not always do.
Civil rights movement had nothing to do with it then? The 60s were a time of massive cultural and social change. If you want to know who got that bandwagon rolling, look at Rosa Parks and the inventor of the contraceptive pill. Dylan's popularity was a result of that culture not the cause.
Where did I imply that Dylan was more important then the civil rights movement? I did no such thing, at all. Not sure where you're getting that. But as for your average white American growing up in the 60s, Bob Dylan's influence was tenfold that of Rosa Parks of Martin Luther King. The hippie movement didn't start because of the civil rights movement, though it played a big part, the hippie movement grew from the same beatnik roots that Dylan did.
Dylan obviously didn't invent the culture of the 60s, and I in no way implied that he did. Simply that he played a major role in it, which he did, just like the Beatles or LSD. Not to mention Dylan's total reinvention of folk music itself; the man practically
invented electric folk music (coincidentally he invented it right here in my home town of Newport, Rhode Island at the Folk Festival in 65).
What has Dylan changed? Last time I saw the big cultural changes in the 60s were about the emancipation of women and black people, I don't see how Dylan caused that. Protest at the war in Vietnam also had a lot to do with it. These are things that would have happened with or without Dylan.
Dylan was a major influence on young people to become politically active, which they did in record numbers during that time. Again, I
never said that Dylan invented the culture of the 60s, but just like John Lennon or Jim Morrison, Dylan represented his entire generation of people. Who do you think those people protesting Vietnam were listening to? Who's songs do you think they were likely playing? Every Vietnam war protest under the sun at some point had some jackass covering Dylan's "Masters of War". Not to mention Dylan's influence on music itself, especially folk music.
I'll give him longevity, but do you really think that he had anything approaching relevance in the 80s and 90s? Apparently he's cool again now, but he was so far from the forefront of culture in 1980. His albums in the 1970s were often 1 or two star albums by all accounts. The five star album thing is often flawed anyway, because music journalists get taken up in hype. If Radiohead released an album of Thom Yorke's bathroom noises tomorrow, it would get 5 star ratings.[q/uote]
I agree with you that Dylan lost relevance in the 80s and 90s, and his material was mostly shit in that time (aside from 1997's "Time Out of My Mind" which is a very good album). I think Dylan has become popular and relevent again though in part because of the growing popularity of classic rock, especially the 60s variety. For the first time in years hordes and hordes of young people are being turned on to Dylan, perhaps in part because this is the first generation who's parents came of age in the 60s.
As for the five star argument...honestly I don't really care what your opinion of his albums ratings are. To me personally, and to the vast majority of music historians and critics, just about every album he released during the 1960s are five star classics. Freewheelin' Bob Dylan, Times They Are-A Changin', Another Side of Bob Dylan, Bringing It All Back Home, Highway 61 Revisited, Blonde on Blonde, man there isn't a
single bad track on ANY of those albums. Not many artists can release even one classic album, let alone six in a row.
I really don't think he is though. You seem to be arguing at me as if I don't know anything about Dylan. In truth I've spent about 6 years trying to listen to his music, but I've always been hugely underwhelmed by it, I just don't think it deserves the reverance attributed to it. The biggest issue I have is in calling a rhyme seeker as bad as Dylan a poet, but there we go.
Rhyme seeker...that's pretty funny. Aren't most poet's "rhyme seekers"? Isn't that kind of the point of conventional (not free-form) poetry? To rhyme? I suppose that makes Shakespeare a rhyme seeker as well then?
Look, I understand that you don't "get" his appeal, and don't enjoy his work. But that doesn't mean you can't respect his work. An example I often use for myself is the fact that I loathe the metal band Pantera, but I respect their importance in the metal genre. Even if you hate Dylan's music, you gotta respect the man, he has worked harder then most musicians could ever even dream about, he's toured nonstop for years on end while still finding time to release album after album. The man's a legend, and while you may debate the merits of that legend, you cannot debate the legend itself.
Bob Dylan is about as overrated as they come, his voice sounds like absolute shit, now I know because I listen to metal and shit that that will be the first thing people like Xfear will attack me at for saying such a thing, but that doesn't change the fact that when ever I hear Bob Dylans voice it makes me feel like my ears are about to bleed, his guitar playing skills really aren't all that impressive to me either, as has already been said in this thread about the only talent the guy had was as a song writer... for other people, when he sings his songs sound like crap to me, I not saying the guy needs to be able to play with the likes of Hendrix, or Page, or needs to have voice comparable to say Freddy Mercury or someone else great, but it would be nice if his voice didn't sound nails on a chalkboard, and his guitar skills didn't sound so...well shitty, I get that people like the guy and like his music and that's fine, but for people to claim he's a musical god when it's clear the guy has very little talent is just ridiculous, and just goes to prove that he's overrated by the vast majority of his fan base
Wow. First off, congratulations Justin on the longest sentence ever. There are these crazy things called punctuation you can feel free to use whenever.
As for the "voice is shit" argument...yeah, you're right I am going to call bullshit on that one considering your taste in music. You're a total hypocrite to try and cite an unmelodic voice as being a reason why he isn't a talented artist when you love Phil Anselmo, and a type of music that is notable for it's singers not even attempting to sing, but instead growl. Totally hypocritical.
And go listen to the song "Girl From the North Country" and try to tell me his voice is shit. Of course, you will, becuase the great Justin is never wrong about anything ever, but you'll still be wrong. His voice carries so much soul and emotion in it in that song.
(BTW I fully expect this post to get ripped apart by the oh so great, and all knowing Xfear[/SARCASM])
You'd have to present me with something even resembling a solid point for me to rip it apart.
Really Justin, just stay away from this argument. You have no musical taste whatsoever, so anything you say on the subject is totally irrelevent. Come back when you can use punctuation and possibly have atleast one or two solid points. In the mean time, I'll debate with Tastycles, whose intelligence and understanding of music I've clearly underrated. Top notch points made by him.