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No. Coming up stuff that I want to see: Public Enemy(Bale crush), Taxi Driver, The Wicker Man Remake, Evil Dead Series(Blockbuster doesn't carry this).
I need more.
I completely disagree with you there Murf. It's much more of a surrealist film then a traditional one. Why didn't you like it? The ending? That's visceral surreal horror at it's finest.
I take it you're not a big fan of surrealism. I for one adore the stuff. Luis Buñuel is a God in my book.
Betsy Russell is great man.
I'm a huge fan of Buñuel. But, the big difference between something like, for example, That Obscure Object Of Desire, and Don't Look Now, is that logic never enters into the picture of the former film.
Don't Look Now was, first and foremost, a mystery/suspense film. Roeg's normal ambiguity/surrealism just doesn't work here, as the driving force behind this film is trying to find out what Sutherland's premonitions mean and if his daughter really is haunting him.
True, Don't Look Now is obviously not a full-out surrealist film, there are no shotgun-blessings (rep to you or anyone who gets that reference) in the movie but there are clearly surrealist moments. I'd say it's more comparable to something like Rosemary's Baby, as it still holds onto basic logic while utilizing certain surrealist filmmaking techniques.
I just love the ending mainly because it utilizes the most underrated tool in horror films: fear of the unknown and illogical. Very similiar to say the "Winky's Diner" scene in Mulholland Drive (I'm assuming you've seen this). Just like in that scene, the horror is visceral and illogical and makes no sense. That's what partly makes it so frightening.
But hey, if you didn't dig it, you didn't dig it. Everyone has their tastes.
Saw White Heat for the first time this week. James Cagney is greatness in it.
Props to NorCal for the Inglorious Bastards hype.