Big Nick Dudley
Nick
Newman was another good actor, although he didn't deserve to win the Oscar for The Color Of Money.
No? Who did? William Hurt, James Woods,..?
Scorsese has been nothing but a run-of-the-mill director since Goodfellas. Sure, Cape Fear and Casino managed to raise themselves a notch about mediocrity through strong performances...
Some Scorsese films are more focused on acting, and on the characters, as opposed to the big picture. Cape Fear had a great story, and even better acting. The whole cast was amazing, and getting those kinds of performances out of your actors (as great as three of them already were) isn't easy. I think this is a horribly underrated film. I think people, like yourself, look at Scorsese's more "Hollywood" type films, and believe he is a "sell out," and it really creeps into your judgement regarding any one particular film.
*The Age Of Innocence - Is this Scorsese's attempt at a Merchant/Ivory-like production? If so, it's nowhere near as good as either A Passage To India, Howard's End, or The Remains of the Day.
I hated this movie, minus Day-Lewis. But he was attempting to branch out. It wasn't a bad movie, not by a long shot.
*Kundun - If I want to watch a politically motivated cup of fail, I'll go to the annual Tibetan Freedom Concert..
Once again, he was attempting to branch out. Would you like him to make a gritty, violent mob movie every time out? If he did so, you would be bitching about him not having any range. I'm a film student, and unfortunately I have to hear this kind of shit day in and day out.
*Bringing Out The Dead - Extremely boring look at an NYC paramedic's life, or at least that's what I think this film was about.
Boring? The movie never stops going! It's non-stop action, almost all of the time. I mean, just because Tom Sizemore isn't crushing skulls every five seconds, doesn't mean there isn't a ton of intensity throughout the entire film. The movie is about the speed of that lifestyle, and it does a damn good job showing that. One if his more underrated films.
When we get to the 2000s, Scorsese becomes a full-fledged Hollywood suit who directs films that any competent director can make.
ANY competent director? I guess I would have to understand your definition of competent. Do you have any clue how hard it is to make a movie on the scale of Gangs of New York? Another movie that could have been slow moving, but instead Scorsese gets the best out of that (huge) cast. I mean for the love of Christ, even Cameron Diaz wasn't shit.
Don't know much about this show, only that it prided itself on showing bare asses on primetime, network television. Unfortunately, I can't help you here, although I can say with confidence that Jimmy Smits sucks as an actor.
In every other thing he has been in, yes, Jimmy Smits has blown ass. But in NYPD Blue, he really made everyone take notice of what he was really capable of. The man hasn't had another decent role to show just how talented he really is, and whether that is his fault or not, I have no clue.