Shadowmancer
I am The Last Baron
I love the misconception that Andre made Hogan. "Mr. Wonderful" Paul Orndorff, "Rowdy" Roddy Piper and to some degree Nick Bockwinkle made Hogan.
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It depends on for what reason he was hired. If all actors are hired to make the most money and the actor continues to do it for decades, then yeah, I guess he has a claim.Whilst the logic that a wrestler is there to draw fans/money is sound; judging a wrestler's material worth exclusively on how highly he draws is flawed, and dare I say it, slightly naive.
You see the problem with your logic is that it's the same as saying that Dannial Radcliff (that kid who plays Harry Potter in the films) is the greatest actor of all time because all of his films (to which he was the 'top face' if you will) drew exceptional amounts of money.
Yes, but WHY was Hogan given that record? WHY was he in the main-event? Because he drew. There have been many guys all over the country in various companies that have been main-eventers that didn't draw like Hogan.Booking: A wrestler who wins a lot will draw far batter than one who doesn't. To use your man Hogan as an example, then Hulkster was given a win/loss record not seen since Ed Louis, and to deny that this assisted him to get, and stay, over; is to kid ones self.
Similarly, a main eventer will pretty much always outdraw a mid carder. Since one has had the benefit of the push, and one hasn't. That doesn't instinctively mean that every main eventer is better then every mid carder. (If they'd given Batista's push to... I dunno... Snitsky, the ratings would have stayed more or less the same)
And, again, there have been PLENTY of wrestlers with that gimmick. How come none of them were successful? Hogan also played heel during the WCW, and led the second great boom of his career. How come nobody drew like him then when his character was heel? It's not like he was the first face to turn his back on the fans.Gimmick: A small factor, but none the less noteworthy. A wrestler given a good gimmick is going to get over faster, and draw higher, than one with a bad gimmick. Since I used Hogan as my example in the last section, I'll call him up again. Hogan was an all conquering superhero and "real American". Do you think he'd have succeeded and become such an icon if he'd been given then gimmick of... "foot fetishist" or "man with bad teeth".
And Hogan boomed wrestling during good times and bad.Market Variables: I don't know shit about how the market affects TV ratings or show attendance or the shifting of merchandise. But I'll bet my right arm that it does.
But, product quality can ONLY be measured by one thing...number of fans who pay for your shows. And, since more people payed for Hogans shows than anyone else, using your own argument, that must mean he is of the highest quality.Product Quality: Year, I've gotten bored of my list so I'm jumping right ahead to the big one. A well written and produced show will draw higher than a crap one, regardless of talent. You could compile a roster of the greatest names throughout history, in there prime. And then hand complete creative control of the product over to... ... Snitsky; and your product would bomb. Probably.
Talent that is there to make others look better are only jobbers because they are not good enough to main-event. I mean, if The Brooklyn Brawler had actually gotten over with the fans and had drawn money, don't you think he would have been pushed up the card?4: Well with 3 chopped up into little pieces, and my attention span officially depleted, I don't much feel like going to town on 4 as well, so I'll just say that there is more a wrestler can do for a company than simply draw. He can for example, not be a dick backstage. A wrestler who draws to the moon is great, but not if he gets in the way of others and sabotages "their" ability to draw.
Actually, there was a depression in the 80s, and wrestling still did well with Hulk Hogan in the lead. Thanks for proving my point.To continue with what a few of the other people were saying, the amount of money a wrestler draws depends on a lot of things, not just raw entertainment power. I bet if that the great depression happened to be during the 1980s, then Hogan wouldn't have drawn a fraction of what he did.
That's called burying your head in the sand. You're saying that Hulk Hogan was lucky to do what he did. That's not true. And we know it's not true because Hogan was main-evented in 4 completely different promotions in his career and drew good money for all of them.Additionally, if say...Billy Graham had been a few years younger, or if Ultimate Warrior or Randy Savage would have been a few years older, they could have theoretically been 'Hulk Hogan.' they needed a big charasmatic guy to be their 'god' character babyface. Realistically Kevin Nash could have been Hulk Hogan if he was older.
No offense, but that's silly. Hulk Hogan had already been World Champion for 4 continuous years when he faced Andre. Hulkamania had already been major, and wrestling was already booming with Hogan in the lead.Also what if Andre the Giant wouldnt have had gigantism or just never got discovered by a wrestling promoter. Hogan would have never faced him at WM III. Arguably, WM III MADE Hulk Hogan who he became. Beating someone who was, by nature of his physical presence, seemingly unbeatable, Hogan was made into a mega star. No Andre, no Hulk Hogan (as we know him today)
What does "actual wrestlers" even mean? They know twenty different kinds of suplexes? They're really really good at applying armbars?
I knew I should have put this in a non-spam forum.
And, what it leads me to is that Hulk Hogan is the greatest ever.
Anyways, I'm waiting for someone to defeat that logic.
That's because Austin benefited from the merchandising machine that Hogan created.Actually, if I recall correctly, Stone Cold Steve Austin made more in merchandise than Hogan did in a single year....
That's because Austin benefited from the merchandising machine that Hogan created.
But, if you want to talk merch, I believe that the nWo shirt is still the most highly bought shirt in wrestling history.
Oh yeah, and let's not forget that Hogan did it for 20 years...Austin did it for 4.
False.Hulk Hogan fans have it rough, especially these days.
Anyway, a great wrestler is someone who consistently entertains both on the mic and in the ring despite not always having great opponents or storylines.
I dispute it.No doubt Hogan was very successful. Anybody however who disputes Vince McMahon's promotional genius and the role it played in Hogan's initial success is delusional.
But Bret Hart isn't in Hogan's league, because Bret Hart was never as entertaining as Hulk Hogan.Brett Hart has a lot of the qualities of a great wrestler although his ability to draw big money has always been questioned. Of course, Brett had the difficult job of carrying the company after so many of it's biggest stars had either been pushed out due to the steroid investigation (Hogan) or simply gotten old without many new faces good enough to replace them. Hart was a solid performer on the mic and fabulous in the ring. The worst Brett Hart match is twice as good as Hogan's best although he doesn't match Hogan's charisma or mic skills.
Maybe he would have. But, you and I both know, that it was still Hulk Hogan who created that boom period. Even before HBK got hurt, it was obvious that Austin was the WWF's answer, not HBK.Shawn Michaels is always in this discussion because he has the mic skills, the in ring skills, and the charismatic flamboyance to entertain no matter how weak his opponent or lousy his story is. However, as a draw Michaels is best remembered as the guy who was carrying the company when WCW was kicking their butts. Perhaps is Michaels had not injured his back in 1998 and missed 4 yrs maybe he would have been a bigger part of WWE's last boom period.
Backstage politics? Randy Savage had two separate title runs. One was for a full year and was completely overshadowed because fans wanted Hulk Hogan, not Randy Savage. And the second one, Hogan wasn't even around.Savage always is remembered as the guy who constantly put Hogan over. Savage had a lot to do with making Hogan a star, as did Piper, Andre, and Bockwinkle. Fact is, Savage had all the traits and drew good money. If not for Hogan's backstage politics he might figure better in this discussion.
Good point, BUT...Steve Austin was nearly 35 years old as well when he finally hit his stride. Yes, injuries shortened his career, but he was older, and was already beginning to be upstaged by The Rock. Also, try as they did, they could never really find another character for Austin to play that worked as well as his mega character. But, at the same time, that character began to be played out.Steve Austin had a terrific run, one of the best ever, but the premature end to his career means it was well too short to really enter him into this conversation. He's like Terrel Davis in football, a great but SHORT run of dominance that ended too soon due to injury. He'll never figure as high in conversations about the best running backs ever as Payton, Brown, Harris, Sanders, Smith do.
HHH will never be in this conversation. HHH has NEVER shown the ability to successfully carry the company on his own. The only time he was made THE primetime player, the WWE went into a tailspin. He's never shown the ability. When both of their careers are finished, HHH will fall behind John Cena in the greatness list.HHH may be in this conversation when his career is done but he'll have to "give back" the way Michaels has (at least lately, his reputation earlier in his career wasn't very good). Otherwise, fair or not, he'll always be marked as the guy who married into the company's top spot.
Not really, because most Hogan fans know that Flair only gets more respect because HHH and HBK suck his proverbial penis. Let's put it this way. Ric Flair accomplished NOTHING of importance since his return to the WWE in 2001. And that's fine. He was used to get guys over, just like many people are. I'm not criticizing him for that. However, everyone knows his legacy is not built on his services from 2001 until his retirement. Which means that people place him on a high pedestal because of his work, pre-1996.Hogan fans hate the fact Flair gets more respect in this discussion than he does.
Yeah...Fact is Flair excelled at every facet even if Hogan with the mammoth McMahon promotional machine got more mainstream press. The fact that Flair helped elevate the careers of guys like Sting and Luger (as well as Batista and Randy Orton) while Hogan is roundly criticized as holding back anyone who might one day rival him in popularity is always what seals the deal for Hogan bashers.
I understand what you are saying. But why was Wrestler X hired? Why was wrestler Y hired?Well, judging a wrestler by the money he makes... It's objective. However, you can't use it to say Wrestler X is better than Wrestler Y. You have to be more specific. You can say Wrestler X made more money and was more successful than Wrestler Y. You can say he won more titles and spent more time in the main event. You can say he performed a higher moonsault, or a more convincing clothesline. However, who's better than who will always be down to personal preference, hence why it can't be objectively argued. Somebody will always find Wrestler X better than Wrestler Y and vice versa. You can't argue that objectively, because it's all about the subject.
I understand what you are saying. But why was Wrestler X hired? Why was wrestler Y hired?
I understand what you are saying. But why was Wrestler X hired? Why was wrestler Y hired?
In the end, in ANY organized occupation, the best employee is the one who does the job for which he was hired the best. In wrestling, employees are called wrestlers, and the best wrestler is the one who makes the promoter the most money. Just like any other occupation.
The difference between the film and music industry compared to the wrestling industry is the way it's structured. For the music industry to be able to be compared to wrestling, a record company would have to go out, hire a group of individuals, put them in a recording studio, write an album, and tell the group to perform it in order to make the record company the most money possible. And they would have to do that for EVERY music band they hire.I think the entertainment industry is a better comparison. After all, wrestling is really part of the entertainment industry. You can say Film A made more than Film B, but that doesn't make Film A better than Film B - at least in the eyes of every film critic who ever lived. I mean, if it did, there wouldn't be need for critics. And the goal of films, and thus why actors are hired, is to make money. Sure, they've got their own motivations - as I'm sure do many wrestlers and promoters - but the ultimate goal of the film industry is to make money.
Same goes with the music industry. Artists are often given free reign with their whole creative processes and whatnot, but the ultimate goal of the record company is to use them to make money, just like the WWE employs wrestlers to make money. People would go nuts if you went into the music section and told them the best artist was the one who made the most money, just because that was the job he was hired to do.
That's not how it works. You can apply the same logic to movies.
However, if you DO want to look at it from the movie standpoint, let's look at it from the viewpoint of the movie theater. Why does a movie theater buy rights to certain movies? Because they think the movie will make them the most money in tickets and concessions. Thus, the best movie from the theater perspective, is the one that sells the most tickets.
The wrestling industry and the music/movie industry cannot be compared because the organizational structure is entirely different.
Except thats not what the movie studio does. Movie studios are presented with scripts that they may or may not take, from producers or directors they may or may not hire.I will. A movie studio hires a director, a writer and any other staff they need. They assemble a script and storylines. They then hire people to play out this script and these storylines on screen. Seems pretty similar to me.
Because a theater purchasing rights to a movie is different than the structure that exists in movie making.Why say this...
When you follow it up with this?
Except thats not what the movie studio does. Movie studios are presented with scripts that they may or may not take, from producers or directors they may or may not hire.