I defy you all to refute this. Slyfox will come here, and lay a beat down way better than I could. Im just starting this thing while others do reasearch.
Anyhow. Pro wrestling companies exist to make money. Therefore, the ones who gain the most of it, are the most successfull, and the best. People go way too far in thinking Pro wrestling is about anything other than trying to get people to spend their hard earned money for a ticket. Its not about suplexes, or "working stiff" or a bunch of ridiculous shit. Its about making money. Ive heard numerous pro wrestlers explain say this VERY thing to me, and explain anyone who thinkis otherwise is a total mark, it the truest, purest sense of the word.
Money makes the world go round. Cash rules everything around me. Disprove it.
All right, I'm done with my preliminary research, so here goes.
In this post, I aim to make two points: one, that financial success, logically speaking, does not necessarily entail a product of high quality; and two, that, contrary to popular belief, Japanese wrestling organizations were once extremely successful, and thus that fans of puroresu shouldn't feel ashamed to like something that uninformed fans of WWE persistently scoff at them for liking.
Does Financial Success = Quality?
Intuitively, it seems that a financially successful wrestling promotion would be in the black precisely because it is putting out a quality product that people feel is deserving of their money. But, such a view possibly ignores the four sources of revenue wrestling promotions rely on and the implications of this reliance. In his book,
Controversy Creates Ca$h, Eric Bischoff notes that wrestling companies generate revenue through house shows, pay-per-views, advertisements, and licensing (i.e., merchandise). Furthermore, Bischoff notes that stable and healthy wrestling promotions should see a quarter of their revenue coming from each of these streams.
As far as I can tell, WWE is far from generating equal amounts of revenue from these streams. Rather, it seems that, in the face of reduced gates at house shows and a deal on USA that more than likely gives them only a small percentage of the revenue generated through advertisements on RAW, they have come to rely a great deal on merchandising (pay-per-view buyrates have been pretty consistent, but there is evidence that they are starting to decline). It is my belief that WWE's current product, which caters mainly to children, is a direct result of the scenario that I just described. As can be seen then, a wrestling promotion's ability to still generate revenue and turn a (significantly diminished) profit can be attributed to other things besides producing a quality product. In fact, turning a profit can still be achieved while producing a less-than-stellar product by putting more focus on one stream of revenue at the cost of revenue in other streams. But, does this bode well for WWE's long-term future? What happens when its current audience grows up? Do they just cater to the next batch of kids to come along, who, due to the information age we live in, will be much shrewder and will be turned off from a product that is gradually becoming all style and no substance? I don't think there will be another wrestling promotion to come along to rival WWE, as there are just way too many barriers to entry in a market that WWE almost has a stranglehold on.
In the end, financial success, contrary to our intuition, does not entail a quality wrestling product. If professional wrestling in America was more competitive, and if ratings, gates, and buyrates were significantly higher than they currently are, I might have to agree with what the original poster said. But, given the evidence, I am not able to do so.
On Japanese Professional Wrestling's Supposed Inability To Draw
Before the surge in popularity of MMA in Japan, before Antonio Inoki's horrible decision to book "shoots" between legitimate grapplers/Gotchian hookers and professional wrestlers in NJPW, before Misawa's decision to leave AJPW and form NOAH, and before Keiji Mutoh's subsequent decision to leave NJPW to head AJPW and book it as "sports entertainment," Japanese professional wrestling drew formidable numbers. In fact, things really didn't get bad for the big Japanese wrestling promotions until Mutoh's aforementioned defection to AJPW in 2002.
Just for shits and giggles, let's take a look at some of the attendances NJPW put up for 2000 and 2001:
*Unlike American professional wrestling companies, which tend to tour year-round, Japanese professional wrestling companies have tours ranging from days to weeks that usually center around a particular event (e.g., the G1 Climax or the G1 Tag League in NJPW). Such events usually draw gates that range from 850 to 6000 people.
*Also, Japanese professional wrestling companies have several big shows a year, which are akin to pay-per-views here in the US. These shows may or may not be on pay-per-view, but they are nonetheless always significant for their cards. Here are NJPW's big shows for 2000:
Wrestling World 2000/4 January 2000/Attendance: 63500
Dome Impact/7 April 2000/Attendance: 60000
Wrestling Dontaku 2000/5 May 2000/Attendance: 35000
Riki Choshu Revival!/30 July 2000/Attendance: 18000
Do Judge!!/9 October 2000/Attendance: 64000
Battle Final 2000/10 December 2000/Attendance: 9500
The 2nd Judgment!/14 December 2000/Attendance: 6700
DREAM*WIN/23 December 2000/Attendance: 1805
And, here are NJPW's big shows for 2001:
Wrestling World 2001/4 January 2001/Attendance: 62001
New Century Dash 2001/19 January 2001/Attendance: 4500
Strong Style 2001/9 April 2001/Attendance: 27000
Wrestling Dontaku 2001/5 May 2001/Attendance: 35000
Super-Force Group Declaration 2001/6 June 2001/Attendance: 13200
Dome Quake/20 July 2001/Attendance: 28000
Tokyo Dome Eve/7 October 2001/Attendance: 1906
Indicate of Next/8 October 2001/Attendance: 61500
Osamu Kido Retirement Show/2 November 2001/Attendance: 4500
DREAM*WIN/23 December 2001/Attendance: 1904
Unfortunately, I don't yet have data on the 1990s, the years us "pretentious asshole smarks" usually look back on as the glory days in puroresu. But, I'm searching, and I hope to find something in the near future. But, I did recently have some words with David Meltzer's people (sorry, I know, I know, he's a big piece of poo who doesn't know anything whatsoever), and they have put me in the right direction, as well as telling me which archived newsletters to look at for financial and gate information. However, from what I've heard, the numbers during the 90s were even stronger, which should put away any myths about the supposed drawing inabilities of Japanese professional wrestling promotions.
So, what do these data tell us? Well, they do tell us that WWE, on a more consistent basis, draws bigger crowds than Japanese promotions. Also, they tell us that WWE tours a hell of lot more. But, they also show us that NJPW was able, back in the day, to draw crowds multiple times a year that WWE could only dream of getting one time each year. Also, it shows that, at least in terms of gates, Japanese promotions are more than capable of generating revenue. Furthermore, all of this excludes the facts that Japan has half the population of the US and only a third of its wealth. So, can Japanese wrestling draw? Or, is it nothing but wrestlers working stiff and doing a bunch of different suplexes who can't draw a dime? I'll leave that up to you to decide.