Smoke bellows high into a dead sky. Night is here, but darkness cannot follow. This is the end of the world and it deals only in extremes. Either light constantly reigns supreme and devours your energy, or you are constantly suppressed by an ever-grey atmosphere. It is summer now, and the snows of last winter have passed, though they will return in due course, and while the ice has thawed, there remains a chilly atmosphere. Welcome to Deadhorse, Alaska.
Hostility is rife in this, the worlds true end. One guarantee dominates the skyline and casts a shadow long and hard. It stains the ground, it poisons souls and it has claimed many a man, woman and child: oil. That is the lifeblood of this settlement, its thick black liquid bubbling away to employ most of the towns men and many of the women too. It breathes life into an otherwise unliveable piece of land, but it also keeps it tainted. Like a drug it must be stopped and yet it cant and it wont. Many a man can tell a tale of this putrid substance that would send a chill up and down your spine. Many a man has lost a finger, an eye, a limb, a life.
We are not concerned with many men though, we are concerned with but one and he has been hooked on this drug of oil and lived in eternal addiction for long past remembering. Like the rigs and drills that create shade in the suns permanent summer glow, he is a giant, one with thick, scraggily black hair, though receding. Adding to this is an unkempt, untameable beard, thick and bristly. He seems to wear the uniform of a man past caring workmans boots, a stained white top, what were once pale blue jeans. Then there are the marks. Some men scar themselves with ink and others have had scars done unto them without consent, without artistic design or creative input. This man is one of those.
His left side reads like a mosaic of torture: there are scars upon scars ripping and tearing through his left arm. It is as if he has been slit by a thousand shards time and again, torn asunder over and over. The original tissue which was perforated has long since been replaced with new tissue. It has not been torn in a good long while, but to touch it is to remember and to return to the pain of the moment. In the night it creates a shadowed pattern that illustrates a different soul to the rest of Deadhorse. And then there is the face and the burns.
This is the risk men take coming to Deadhorse. Oil is the business of the day and with it there are hazards. This man knew that and his face has been ignited and set ablaze several times. Yet still he returns and asks for more like a junky in desperate need of that fix. He would rather deaths black liquid took him and burnt him asunder than succumb to his own bottomless pit of vile and evil. Something lurks inside this man, but he hides it underneath this scarred, unmistakable exterior. These burns adorn the same side, the left side; the chosen side of a man named, ironically, Abel, Abel Hunnicutt to be exact.
Hunnicutt finds himself trapped in a metronomic system. In search of that drug, he wakes up early, puts on those jeans, those boots, that top, and rides out onto the rig. He punches in, takes to climbing atop it and drills deep, searching boring into the very soul of the earth. It is hard work, aggressive work, but its worth the reward. As little pools begin to emerge or a new coat of velvety black coats the drill, Abel knows he has what hes searching for: success oil! His reward though is not the same as everyone elses.
Many dream of making it big in that oil industry. Most in Deadhorse simply want to survive through it. Hunnicutt wants to use it. Not all his past pain and suffering is caused by oil. In many ways oil is purity and beauty. Its blackness is pure, untainted by the vileness of humanity. For Abel, his pursuit is in forgetting, repressing and neglecting his inner demons. Many fall prey to addiction and in a bid to forget one such case, he has taken up another. The oil must be drilled and his soul must be cleansed by it. This is the system that he has designed for himself less he unleash something far worse upon the world.
After a long days work into the night, Abel concludes and goes home to eat and sleep and then repeat. He doesnt socialise. He doesnt have friends. He doesnt make calls. He doesnt have any family. There is but one exception to this rule: in a bid to maintain the existence steam must be let off from time to time: on a Friday night he takes an hour to drink a whisky or two at The Big Rig a local bar frequented by some of the toughest men in town. Most leave Abel be. He means no harm and causes no fuss. Occasionally some come looking for trouble and on this night, as fate would have it, trouble came a knocking
Three men enter the bar. The bar is crowded, filled with music half a century old on a crackly old record. Country, of course. The regular frequenter will receive a stern nod from the thick moustached barman. These men draw nothing but blank stares though. They wear flannel coated with fur, untouched, gleaming black boots, gold and shiny belt buckles and the neatest cowboy hats youve ever seen. These are fancy boys indeed and they stagger in, drunk as skunks. Sauntering in, their supposed leader gives a wink to a waitress and licks his lips. She looks disgusted. One of his lackeys snickers; the other gives her a wink.
The trio saddle up to the bar and take a stand next to Abel, who is nursing a small alcoholic beverage. He doesnt even glance at them. Enthusiastically the leader holds up his middle the three fingers, his hand wavering. No reaction from the barman. Again the leader emphasises the three fingers. The barman looks at all three, the two flankers on a scouting mission, looking around the bar in opposite directions. Then he looks back at the leader. He shakes his head.
Leader: Smatter?
Barman: Yer drunk. Too drunk.
Leader: So?
Barman: Yall look like the type to cause trouble.
The leader dramatically puts his hands to his chest as if to say who, me? Then he chuckles, checking with his cohorts, who also laugh on command. They turn but swiftly the leader drives a fist into the bar. The barman is unmoved. Abels attention is finally drawn, his eyes drifting to the fist, little ripples appearing in his beverage tranquillity disturbed.
Leader: If ya want trouble, me an mah boys are prepared to deliver
Hes dead serious, if not slurred in his delivery. One of the lackeys laughs; the other takes a deep snort, a wide grin creeping on his face. They now have Abels full attention. He turns his head to stare at the leader, who in turn realises hes being watched by the man mammoth.
Lackey #1: Careful Bugs, looks like the freaks got a thing for ya.
All three drunkards laugh. Bugs stops and so do his followers. He takes a deep sniff off his finger.
Bugs: That true? Ya got a thing for me, freak?
Abel sizes Bugs up. He cant be anymore than 510. Looks like hes probably rich enough to own Abels whole world even though hed never understand it. Hes gotten too big for his britches. Someones got to cut him down
but not Abel. He just needs to drink and bury his addictions under new ones. He takes a hit of his drink and turns away. Bugs doesnt like that.
Bugs: Ya hear me freak? Eh? EH?!?
He pushes Abel. Then he does it again to the head. Hunnicutt bites his lip, closes his eyes and begins to count to ten. 1
2
Lackey #2: Boys getting off on the pain.
3
4
Lackey #1: Maybe hes one of those SMN types
Lackey #2: SNM, ya idjut.
7
8
Bugs: That right boy? Ya one of dem sado-maso-chists? That how ya got these scars, freak?
10. Abel stands up. They take a step back, failing to comprehend his true size. He slowly stands and stares at them. His fists are balled up. The drunkards are scared but ready to pile in like hyenas. The music stops, but the record continues to scratch along. Abel takes a five dollar bill from his jeans and hands it to the barman. He strides past the trio. They watch and begin to cackle.
Bugs: Go on boy, skee-daddle, take one in the rump for ol Bugs an the boys, ya hear?
Abel stops.
Abel: See me outside. Now.
Abel continues his march to the exit. None of the trio move. One of the lackeys gulps. Bugs pushes the two forward to follow. A man in a large brown hat and overcoat enters, watching as Abel exits. He turns to the trio, Bugs pushing the other two still as they dig their heels in. This stranger chuckles and shakes his head before heading over to the bar. He knows what is about to follow. The trio disappear beyond the walls of the bar.
The stranger receives the nod from the barman and has a drink poured for him. Then there comes a crash through the door. Bugs, looking in rough shape, comes flying in. His coated flannel is torn, his shoes scuffed and hat nowhere to be found, a cut adorns his right eye and he seems to have lost a few teeth. Then Abel enters, the same as he left. Slowly he walks to toward the ignorant fool.
Bugs: Im sorry man. Please. Im sorry. Smatter, cant ya hear me, Im sorry!
Certain that damnation awaits, Bugs closes his eyes and clasps his hands together as if to prey to God. Abel just keeps on walking though, right past him, as if he doesnt even exist. After a few moments pass, Bugs realises what has happened and crawls out of the bar as fast as humanly possible. He vanishes into the night while Abel takes his seat back at the bar.
Abel: I changed my mind. Id like another cold one.
As the barman pours Abels request, the record finally changes to another country track. The stranger lets out a belly laugh and Abel looks at him. Suddenly the stranger begins to sing the lyrics:
Stranger: Was a cowboy I knew in south Texas,
His face was burnt deep by the sun,
Part history, part sage, part mesquite,
He was there when Poncho Villa was young
Abel smirks, revealing a dead tooth and raises his glass to the stranger who reciprocates and takes a swig. Putting his glass down, he leans on the bar and begins to take his hat off and speak in a distinctly pronounced and dignified manner:
Stranger: Abel Hunnicutt, my name is Steven Holmes. You may not have heard of me, but my dear man, I know a good deal about you