"Take your EurAsian title and shove it."
-Unknown
The scene opens up to a bright room. The floor is covered in shiny white tile, and the walls are a patterned baby blue. A large coffee bean brown desk guards a door that sits behind it. Facing the desk are several black plush couches. All of them are vacant, except for one. A tired man is sitting in a hunched-over position on the couch that is furthest away from the desk. It is Chris K.O. His eyes are half opened as he holds his curse within his hands. A manila envelope sits dryly between his fingertips.
He is too tired to think. So, the only logical explanation that he can arrive to is to have someone think for him. It was a dangerous chance, but he had no other choice.
???: Chris.
Chris looks up from his hunched-over position. His hollowed eyes catch the receptionist behind the desk.
Receptionist: He said that he will see you now.
Chris slumps his head back down and looks at the envelope. He begins to flirt with the idea of opening it and just leaving the office before he continues, but he cannot bring himself to do it. Chris scrunches his face and tenses up his brain. He shoves the envelope into his pocket and stands up from his perch. He slowly makes his way to the door behind the desk.
His palm firmly grabs the handle and he steps into unknown territory. He shuts the door behind him and examines the spacey room. The light from the outside is being filtered by purple curtains, so the room is of violet hue. Several small lamps fill the darkness of the room. Random furniture and bookcases line the walls with thousands of literary works. A single spot is left open on the wall, where plaques and picture frames hang from it. The floor is hard wood and it creaks as he slowly steps forward. Twenty feet ahead of him is a grunge green chase lounge chair. And beyond that is man, with his back towards Chris. He is sitting in a rather large brown spinning chair. His arm pokes out of the side with a glass of tonic liquid.
???: Take a seat Chris.
Chris is hesitant, but follows the man’s decree. He sits on the chase lounge, but quickly comes to the conclusion that it would be better to lay down rather than to sit. The man behind the chair pulls the glass to his mouth and takes a drink. The sound of the ice clanking inside of the glass gives the awkward silence company.
Chris: Uh- um- …thanks for meeting with me today. I know that you are rather busy at this time in your life.
The man chuckles behind the chair.
???: I cancelled everything I had this week in order to prepare my upcoming trial. However, I received a call this morning and was informed that a certain man was sitting in my waiting room, regardless of the fact that I was not in office.
The man takes another drink.
???: I began to inform my receptionist that she should force you to leave, but I was stopped dead in my tracks when she told me your name. I thought surely that this must be something that Ty Burna had devised in order to sabotage my plans for the Lethal Lottery. I was about to call the police, but then suddenly I felt something wrong in my spirit. I felt as though I must meet with you today…
The man pushes off of the ground with his left foot and spins around in order to reveal himself to the camera.
???: So, tell me. Why did you come here today to meet with Professor Steven Kurtesy.
Kurtesy smiles as he lounges back in his chair. He pulls his glass to his lips and takes a sip of drink.
Chris: Three things…
Kurtesy focuses on Chris’ words.
Chris: An envelope, a woman, and a man.
Kurtesy rubs ins chin in curiosity.
Kurtesy: What is it about these three things that bring you here?
Chris: They weigh my soul down. So much that I can’t sleep, I can’t think, and I can’t even compete anymore.
Kurtesy: Have you talked to Ty about this?
Chris: No… He just thinks that it’s part of my growing pains.
Kurtesy: I see…
Kurtesy takes a drink from his glass.
Kurtesy: Let’s begin with the three things that you mentioned. The envelope; what does that mean? Why does it bother you?
Chris is hesitant at first, but slowly reaches into his pocket and pulls out the manila envelope that he has been carrying for several weeks. Kurtesy waits for Chris to open it, but chooses to interject whenever he doesn’t.
Kurtesy: What is in it?
Chris: I haven’t opened it…
Kurtesy: Why does it scare you to open it?
Chris shoots a quick look at Kurtesy. Despite his failure to open the envelope, he had never thought about himself being scared to do so. He looks back at the envelope.
Chris: I don’t know…
Kurtesy: I do not think that is the truth. If you cannot be honest with me Chris, then I cannot help you.
Chris: It’s something from the past. Something important.
Kurtesy: Why do you carry this envelope around? I thought you hated your past?
Chris: I was planning to destroy it, but then something happened. I saw her.
Kurtesy perks up in his seat.
Kurtesy: Her?
Chris: In the backstage of the lottery rounds. I was talking to James King and Dr. Alhazred about things that Ty had planned for us. I was planning on leaving that meeting and then disposing of the envelope. I began to think of how silly it was that I was carrying it around, but there she was. I saw her.
Kurtesy: Chris, who is her?
Tears begin to roll down Chris’ cheek.
Chris: My mother.
Chris quickly wipes away the tears on his face and presses on.
Chris: She was there, walking in the hallway. She passed right by me and I watched her walk away, but then I blinked. Why did I have to blink? She disappeared and I saw Celeste Crimson turning down the hall.
Kurtesy: Chris, is your mother still alive?
Chris sniffs as he rubs out the rest of the tears inside of his eye lids.
Chris: No, she died. She died when I was nine.
Kurtesy: So, you have been without a mother figure for that long?
Chris: Yes, and now I can’t even compete whenever I see her. It’s like I see flashes of her face in Celeste’s face and I become stunned. I don’t want to fight Celeste…
Kurtesy finishes off his glass and rises from his seat. He slowly walks over to a desk table as he grasps a lonely bottle of scotch and refills his glass. He begins to talk as he walks back to his seat.
Kurtesy: It sounds like to me that you are projecting your mother onto Celeste Crimson. There seems to be some feature that you are relating from Celeste to your mother.
Chris thinks on Kurtesy’s words and remains silent.
Kurtesy: So, because of that you cannot harm her. Simply because you cannot harm your mother.
The concept seemed so basic, but the mush inside of Chris’ mind had never allowed him to connect the dots. Kurtesy had given him an epiphany. Chris could feel the abstract chains within his mind begin to release.
Chris: I miss her.
Kurtesy stops mid-drink as he stares at Chris.
Chris: She always encouraged me to be independent. I just didn’t feel the same from---
Kurtesy: Yes?
Chris turns his head away from Kurtesy and stares into the emptiness of the room. Kurtesy responds by taking a slow sip of his drink.
Kurtesy: An envelope, a woman, and a man. We have already talked about two of the three. Let us discuss the third.
Kurtesy plays with the rim of his glass as he examines Chris, who still has his face turned away.
Kurtesy: The man you speak of is not Black Dragon is it?
Chris: ….No.
Kurtesy: I can only imagine that you do not even care about the EurAsian title. Am I correct?
Chris: Yes. I was shoved into the feud in order to progress into my destiny.
Kurtesy chuckles as the ice inside of his glass clank inside of it.
Kurtesy: You know what is interesting about your destiny, Chris? I view destiny as a personal revelation. I divine feeling that tells us what we are suppose to do. Tell me Chris. Do you feel this destiny, or does someone else for you?
Chris turns his face back towards Kurtesy and looks at him with a confused stare. After a few seconds, he turns his head and stares up at the ceiling.
Kurtesy: Let me guess? The man you mentioned is not Black Dragon, but your master Ty Burna.
Chris: No.
Kurtesy is shocked at Chris’ response.
Chris: The man who I am talking about, if I had to be honest, is a man whose approval I seek more than Ty Burna himself. I never felt like I could achieve it, so I ran away.
Chris sits up from his lying position and clenches the manila envelope in his hands.
Chris: He weighs so heavily on my heart that I can’t sleep at night or even think clearly at times. The man who I am talking about is probably involved in the content inside of this very envelope that I hold. That man…
Chris lowers his heads as tears begin falling from his face and stain the top of the manila envelope.
Chris: Is my father.