Cena's Little Helper
Mid-Card Championship Winner
When an actor/actress wins the most world's most prestigious acting award, most of us assume that their career following their win will be peaches and cream. While they're definitely given more leeway than their peers in terms of quality of their output, this doesn't always seem to be the case.
That being said, the idea of this thread is simple. Which actor/actress has had the most disappointing career after winning one of the following Academy Awards: Best Actor, Best Actress, Best Supporting Actor, or Best Supporting Actress? Consider both the films they made after their win and the expectations you subsequently had for their work.
My personal choice is Hilary Swank. Don't get wrong here; if you win two Best Actress Oscars, then you're a bona fide acting icon. However, you'd expect that Ms. Swank would have had at least one or two significant roles in her career besides the ones that netted her Oscars in Boys Don't Cry and Million Dollar Baby. Unfortunately, she has made nothing but small films that generate little to no buzz (11:14 and Red Dust) or studio films that are DOA as soon as their mediocre previews are dropped (The Core and P.S. I Love You). On a positive note, Swank is still relatively young, so there's plenty of time for her to state making smart choices.
That being said, the idea of this thread is simple. Which actor/actress has had the most disappointing career after winning one of the following Academy Awards: Best Actor, Best Actress, Best Supporting Actor, or Best Supporting Actress? Consider both the films they made after their win and the expectations you subsequently had for their work.
My personal choice is Hilary Swank. Don't get wrong here; if you win two Best Actress Oscars, then you're a bona fide acting icon. However, you'd expect that Ms. Swank would have had at least one or two significant roles in her career besides the ones that netted her Oscars in Boys Don't Cry and Million Dollar Baby. Unfortunately, she has made nothing but small films that generate little to no buzz (11:14 and Red Dust) or studio films that are DOA as soon as their mediocre previews are dropped (The Core and P.S. I Love You). On a positive note, Swank is still relatively young, so there's plenty of time for her to state making smart choices.