The Butcher
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In Bill Simmons' latest mailbag (link below) he answered a request for an explanation to why he was "never a fan of" WWE Hall of Famer Bret Hart. Here is that explanation in its entirety:
Anybody want to rebut The Sports Guy or do you mostly agree with his assessment?
http://www.grantland.com/story/_/id/9594200/the-summer-no-mailbag
Personally, I was a Bret Hart fan. I always enjoyed his matches, and I was a mark for the Hart Foundation tag team. His heel work at the dawn of the Attitude Era was excellent, in particular his match with Steve Austin at WrestleMania XIII which was a seminal moment for both men and the era as a whole. Simmons is more than entitled to his opinion, and I agree that Curt Hennig was the better overall performer. I like his "market correction" take on it, although on the whole, despite his four paragraphs, it's a pretty glib take on Bret, his impact on Mr. Perfect, and everything going in wrestling/WWF during those years.
Bill Simmons said:Let's see … no personality, no sense of humor, wet hair, horrible entrance music, hideous wrestling outfit (pink and black?), never tweaked his gimmick, didn't get along with Shawn Michaels, "carried" the WWE during its most boring stretch of the past 40 years, sold out for WCW money, remains memorable only because of (a) the Montreal Screwjob (and the fact that he punched Vince McMahon afterward), and (b) his phenomenal Ewing Theory credentials (the WWE took off again right after he left). Just thought he was overrated.
Quick tangent: In our aforementioned podcast last week, Wesley Morris mentioned his "market corrections" theory and how, sometimes, there can be only one "type" of successful lane for one actor (only with multiple actors vying for it). An example he liked: Mark Harmon never making it as a leading movie actor because Kevin Costner took all of those marquee roles that could have gone to Harmon from 1988 through 1995. Costner was Harmon's market-correction guy, the guy blocking Harmon from having a Costner-like career.
Same for Tom Hanks and Michael Keaton — they battled for seven years for "funny/likable comic actor who dabbles in serious roles and will eventually become an A-lister" supremacy, with Keaton gaining an early A-list upper hand in 1989 thanks to the Batman movies. What happened to Hanks? Total tailspin! That was his Joe Versus the Volcano/Bonfire of the Vanities stretch — three years of forgettable movies. When Hanks rallied back in 1992 with A League of Their Own, then Sleepless in Seattle, Philadelphia (Oscar) and Forrest Gump (Oscar), what happened to Keaton? TAILSPIN! As Wesley says, there could be only one.
Back to Bret Hart: His market-correction guy was "Mr. Perfect," Curt Hennig, another technically terrific wrestler who hit the WWE in the mid-1980s. I always loved the arrogant "Mr. Perfect" gimmick and thought Hennig was more interesting and entertaining than Hart, but Hart's extended wrestling family (brother Owen, brothers-in-law Jim Neidhart and British Bulldog) morphed into the Hart Foundation family, which stole good spots in every pay-per-view. With the Hitman leading the way, of course. So Hennig ended up being the Keaton to Hitman's Hanks — he never won the WWE title and eventually jumped to WCW. So not only did Bret Hart semi-bore the hell out of us in dozens of pay-per-views, he drove away his more entertaining market-correction guy. I don't hate him for it. Just can't call myself a Hitman fan. Wait, did we just spend four paragraphs on this?
Anybody want to rebut The Sports Guy or do you mostly agree with his assessment?
http://www.grantland.com/story/_/id/9594200/the-summer-no-mailbag
Personally, I was a Bret Hart fan. I always enjoyed his matches, and I was a mark for the Hart Foundation tag team. His heel work at the dawn of the Attitude Era was excellent, in particular his match with Steve Austin at WrestleMania XIII which was a seminal moment for both men and the era as a whole. Simmons is more than entitled to his opinion, and I agree that Curt Hennig was the better overall performer. I like his "market correction" take on it, although on the whole, despite his four paragraphs, it's a pretty glib take on Bret, his impact on Mr. Perfect, and everything going in wrestling/WWF during those years.