The Jabroni
Dark Match Winner
Dear Forum-Goer,
I was in an interesting debate earlier today about the current state of the music industry. The main goal was to determine whether the industry is dead, dying, seriously sick, or strong and thriving. If it were determined that it was completely dead, the next step was to trace the cause to its root. If it were determined that it was dying, the root was to be found and a remedy was to be recommended. If it were determined that it was alive, proof had to be given and all claims had to be substantiated. Here's my theory:
If music isn't entirely dead, it's definitely in jeopardy. The cause? The still-expanding dominance of the "single." Nowadays, singles sell and albums don't. Albums like "The Wall" and "The Downward Spiral" wouldn't have gained importance in history without successful singles ("Another Brick in the Wall, pt. 2" and "Closer," respectively) despite the fact that they're meant to be listened to as cohesive units instead of as individual songs. This presents a flaw in the system; singles override the albums they're a part of. As singles gain dominance, albums lose their power. As albums lose power, the need to consistently create good music diminishes.
Why write a full album, packed with solid songs and purpose, when you can write one audience-aimed pop tune and make millions?! That's the question that's been plaguing the music industry for decades. People lose the drive to write epics and masterpieces when they realize that 4-minute songs with basic progressions, catchy melodies, and meaningless lyrics always win. In 2010, the best-selling song was Katy Perry's "California Gurls." If you're not familiar with the song, it's just under 4-minutes in length, with a whopping total of 5 chords and lines such as "Sex on a beach / We get sand in our stilettos / We freak in my jeep / Snoop-Doggy-Dog on the stereo." Verily, an incredibly intelligent work of art! 5 chords, what a total! And John Keats himself couldn't have written better verse! Ms. Perry is truly a musical and lyrical genius!
Through the extremely bitter sarcasm, there is some truth to the above statements. However, she's not a "genius" in the conventional sense. She's a genius of marketability. She knows what her audience wants to hear; a young woman of above-average looks singing about "freaking" in a Jeep. Her audience, of course, being hormone-driven teenagers. That's a main part of the problem: What's marketable is seen as better than what's innovative, intelligent, and creative.
So what's killing the music industry? Why is there such a lack of competent artists willing to make "art?" Why do songs like "California Gurls" become best-selling singles while music with meaning and craftsmanship gets no attention from the mobs and masses?
It's not just about singles. The modern-day decadence and moral/intellectual deficit are playing a key role as well. "California Gurls," in a society that analyzes what they hear, would be labeled as pure smut (A great oxymoron, by the way) and would never be heard by mainstream audiences. So, in my humble opinion, it's not the music industry's job to get itself back on track. That monumental task belongs to the audience. The audience needs to think about what they're hearing and, when they grow tired of 4-minute 5-chord songs, they should go find an album. If they're really committed, they could make it their mission to save the industry. They could make their own art to combat the dismally trashy abyss of modern popular music.
However, that's just my opinion. Others may think that the industry is alive or that its death has a different source and a different remedy. So what do you think? Is the music industry alive? Is it dead? If not, prove it. If so, why did it suffer such an untimely demise?
Good luck.
I was in an interesting debate earlier today about the current state of the music industry. The main goal was to determine whether the industry is dead, dying, seriously sick, or strong and thriving. If it were determined that it was completely dead, the next step was to trace the cause to its root. If it were determined that it was dying, the root was to be found and a remedy was to be recommended. If it were determined that it was alive, proof had to be given and all claims had to be substantiated. Here's my theory:
If music isn't entirely dead, it's definitely in jeopardy. The cause? The still-expanding dominance of the "single." Nowadays, singles sell and albums don't. Albums like "The Wall" and "The Downward Spiral" wouldn't have gained importance in history without successful singles ("Another Brick in the Wall, pt. 2" and "Closer," respectively) despite the fact that they're meant to be listened to as cohesive units instead of as individual songs. This presents a flaw in the system; singles override the albums they're a part of. As singles gain dominance, albums lose their power. As albums lose power, the need to consistently create good music diminishes.
Why write a full album, packed with solid songs and purpose, when you can write one audience-aimed pop tune and make millions?! That's the question that's been plaguing the music industry for decades. People lose the drive to write epics and masterpieces when they realize that 4-minute songs with basic progressions, catchy melodies, and meaningless lyrics always win. In 2010, the best-selling song was Katy Perry's "California Gurls." If you're not familiar with the song, it's just under 4-minutes in length, with a whopping total of 5 chords and lines such as "Sex on a beach / We get sand in our stilettos / We freak in my jeep / Snoop-Doggy-Dog on the stereo." Verily, an incredibly intelligent work of art! 5 chords, what a total! And John Keats himself couldn't have written better verse! Ms. Perry is truly a musical and lyrical genius!
Through the extremely bitter sarcasm, there is some truth to the above statements. However, she's not a "genius" in the conventional sense. She's a genius of marketability. She knows what her audience wants to hear; a young woman of above-average looks singing about "freaking" in a Jeep. Her audience, of course, being hormone-driven teenagers. That's a main part of the problem: What's marketable is seen as better than what's innovative, intelligent, and creative.
So what's killing the music industry? Why is there such a lack of competent artists willing to make "art?" Why do songs like "California Gurls" become best-selling singles while music with meaning and craftsmanship gets no attention from the mobs and masses?
It's not just about singles. The modern-day decadence and moral/intellectual deficit are playing a key role as well. "California Gurls," in a society that analyzes what they hear, would be labeled as pure smut (A great oxymoron, by the way) and would never be heard by mainstream audiences. So, in my humble opinion, it's not the music industry's job to get itself back on track. That monumental task belongs to the audience. The audience needs to think about what they're hearing and, when they grow tired of 4-minute 5-chord songs, they should go find an album. If they're really committed, they could make it their mission to save the industry. They could make their own art to combat the dismally trashy abyss of modern popular music.
However, that's just my opinion. Others may think that the industry is alive or that its death has a different source and a different remedy. So what do you think? Is the music industry alive? Is it dead? If not, prove it. If so, why did it suffer such an untimely demise?
Good luck.