When you quote something from someone's point and then go on to say things regarding the quote; it's only a logical reaction for a person to assume that you're replying to me.
You're kidding right? Are you honestly going to sit there and tell me you've never been part of a conversation in which one person says something, and you use that person's statement to add your insight on the topic? Seriously?
What if I had put "In that same vein", or "Going along with this"? Would you have felt less threatened little one? Would that have made everything nicer for you? Would those four little meaningless words have suddenly turned what you perceived to be a threat into something that's okay?
Don't be silly. I don't give a rat's ass what you assumed, I'm telling you what it was. Kindly apologize, and we'll be on our way.
Apparently logic isn't quite your forte though.
This coming from the person who got defensive about something that wasn't even said. Yup, YOU'RE the one to defend the concept of logic. Get real.
As far as the names you listed, I don't find the majority of them to be that entertaining and I find most of them to be overrated and boring. However, HBK can be an exciting and surprising wrestler at times.
Fair enough, how often does HBK surprise you? Hell, HBK is far more predictable in the ring than Cena is. He used the same match formula for years, used the same moves, etc. His "surprise" moments was when he would do one of his backflips off the ropes, which we saw all the time.
Michaels is hardly the worker to bring up when talking about incorporating a variety of moves in a match. Then again, for the last several years, HBK was only slightly above average in the ring, except on those rare occasions he actually seemed interested in working a good match, which usually came when he knew that if he didn't, he'd get outworked.
As far as comparing countless wrestling matches to one basketball match (although I get your point), it's kind of a weak comparison. In WWE and TNA, the wrestlers never anticipate the obvious from their opponents. How is that believable?
You're in the wrong conversation buddy. If you're wanting to discuss how believable pro wrestling is, start a new thread. But what you described has been true of pro wrestling for over 50 years. Obviously, there are times where a wrestler DOES anticipate another wrestlers moves, like Dolph Ziggler countering Cena's flying shoulder block and his FU this week, or like everytime Shawn Michaels tried to connect with Sweet Chin Music on the first attempt, but overall, wrestling has ALWAYS been about asking "why didn't he see that coming"? Because it's a show, jackass (and since I know you're ultra sensitive, I wasn't speaking to you in particular, just as a general comment. I'd hate for you to misinterpret what I'm saying again).
And you're right; psychology of a character is one important aspect, sure. I was talking about in-ring psychology though and I made that fairly clear.
As was I, and I thought I made it fairly clear as well.
In-ring psychology is COMPLETELY about playing your character. Remember how I talked about guys like Austin and Cena doing punches and kicks because it fit their character? That's in-ring psychology. I'm not sure what exactly you think in-ring psychology is, but feel free to post it, and we can discuss where you may be mistaken.
WWE wrestling tells in-ring stories, don't get me wrong. But I highly doubt they'd be able to do so off of in-ring psychology alone. Hence why most of their programming is talking.
WHOA, you're talking about two very different things. In-ring psychology and promoting are completely different. Talking is about promoting, building interest into a match so people will take the time and possibly the money to watch the match. In-ring psychology is how the wrestlers behave once they are in the ring, in accordance to their character and the goal the workers are trying to achieve in the match.
If we have Wrestler A we're trying to get over as a monster heel, then the in-ring psychology for the monster heel is high powered strikes and slams against a smaller opponent, who for his part will usually try to use speed to win the match. Ultimately though, the psychology of the match will result in Wrestler A dominating the majority of the match, his opponent have a quick flurry of offense towards the end of the match, only to be countered by a devastating and hope dashing finish by the heel. That's just basic in-ring psychology for the monster heel and his smaller opponent. And it's also telling a story, the plucky little guy against the overwhelming monster heel.
The workers don't rely off telling a story in the ring as much as they do with a microphone.
Again, I think you're mistaking promoting and wrestling stories. All promotions use storylines to promote a future match, but promoting a story and wrestling a story are two different things. I'll give you an example:
Everyone remembers HBK vs. Cena from Raw right after their Wrestlemania encounter. The story of HBK vs. Cena building up to Wrestlemania was two guys who didn't trust each other necessarily, but were still working together in the interest of self-preservation and in respect. But ultimately, it was about being WWE Champion. That was the story. Cena won, and then a couple of weeks later, they had a rematch (likely because Orton was sent home for discipline reasons).
The promotion for the HBK vs. Cena feud was as I mentioned. But the story of the match was much different on Raw, than the story of the feud. The story of the match on Raw was a back and forth affair, with Cena always being just a little ahead of HBK, and slowly wearing Michaels down, but Michaels absolute refusal to lose again to Cena. One thing I'll always remember is the moment when Cena is on the outside beating on HBK and he looks to the referee and says something to the effect of "he won't stay down", which was very powerful in the story of the match. HBK's resiliency vs. Cena's dominance more and more became the story of the match, with HBK finally outlasting Cena to get the win.
Promoting and the story of the match are two completely different things. Now, many times they are intertwined with each other (like Cena vs. HHH feud from Wrestlemania 22), but they don't have to be. They are separate concepts.
But that's there style and it works for them. I agree that doing a variety of random holds and submissions kill psychology; but not meaningful ones. It sounds like you're defending the lack of skill these men have to tell a story in-ring. A physical struggle, actual chain wrestling, working on areas of the body without being over-the-top and comical. I'm not saying WWE isn't capable of doing that; but please compare WWE to a company like All Japan and tell me which product has the more superior in-ring psychology. Please.
I don't watch All Japan (which is probably why I'm not stuck up and pretentious about wrestling), but I have seen my fair share of ROH matches which are supposedly about chain wrestling and holds and stuff, and the WWE blows them out of the water. It's not even close. The WWE in-ring psychology is far and away better.
In-ring psychology is not based upon the style of offense which is chosen for the match. That's such an incredibly limited way of looking at wrestling, which I actually said in my first post that I quoted you in.
For the most part, WWE can't tell a good story without a microphone and until I see otherwise in the ring I will refuse to believe it.
Just using John Cena alone, I've given you two examples. And using Cena alone, I could give you many more examples. His matches against Umaga, Khali and Lashley, for example, are full of great storytelling. HBK vs. Undertaker 2, as overrated as it is, has good storytelling. The WWE is FULL of good in-ring action.
The problem the WWE has is not with its workers, but rather with its announcers. WWE announcers are HORRIBLE at relaying the story of the match to fans at home, mostly because they don't know how to do it. Even Jim Ross, when he first got to the WWE, had to learn how to tell the story in the ring. That's one of the reasons I consider Gorilla Monsoon and Jesse Ventura to be the greatest announce team that I've ever been heard, because those two guys laid out the story of the match so clearly even a blind man could see it.
The problem is not with the wrestler's ability to tell a story (well, not the good wrestlers anyways...every promotion has bad wrestlers), but rather the ability of the announcers to convey that story. If you remember one of the reasons the WWE didn't like Joey Styles (and fans got pissed about it) is because he just called out the names of the moves, and didn't bother to let people in on the story that was going on in the ring. Fans got pissed about it, but really? I don't need an announcer to tell me the names of the moves, I know the names already. I want someone to put the story into words. That's what an announcer is supposed to do.
The majority of their roster/product is not capable of doing that in a realistic and believable way IMO.
There hasn't been a roster in the history of wrestling in which the majority could do that. But the best workers always can, and always have, and they've done it in the WWE far better than they've done it anywhere else in America over the last several years. And probably the majority of promotions worldwide, if I were to simply guess.
WWE no-sells majority of the punches and strikes thrown and yet a move like The Cobra is unstoppable. Sure, Santino is a comedy character: I know. Now surely you can see my point?
Not at all. Wrestling is entertainment. The fact it's entertainment doesn't change how the entertainment is produced.
Austin's moveset worked for his character. That's for sure though.
Absolutely it did, and good way to be on topic.
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I'll use it too.
The fact is Austin's moveset did work for his character, and for the reasons I've been discussing, it's why Austin was still a great wrestler, despite limited moveset. It's because, as we both agree, the number of moves you use has absolutely nothing to do with how good you are. I can go outside right now with a friend and create a DVD for Slyfox's: The man of 1002 holds right now. But it wouldn't make me a good wrestler.
On that, at least, we agree.