Cena's Little Helper
Mid-Card Championship Winner
Define the love/hate relationship anyway you wish to. To me, having a love/hate relationship with a film means that you have a low opinion of it for a very good reason yet can't deny the fact that is it brilliant in some other aspect. My greatest love/hate relationship is with A Clockwork Orange.
Why I hate A Clockwork Orange: By omitting the last chapter of Anthony Burgess's book from his adaptation, Stanley Kubrick fails to convey his source material's ultimate message: as we grow older and become more mentally mature, we find no need to express our individuality through destructive acts. This isn't to say that assault and rape should be expected and condoned male pastimes of Western civilization (A Clockwork Orange is definitely an exaggeration in terms of what such individuals do at that age), but I don't think any of us here can deny that we all did stupid shit when we were younger that we would take no pleasure in doing now (e.g., egging houses, crank calling, tagging fences, etc.). Alex is not meant to be some incorrigible, inherently evil menace to society. Stanley Kubrick does those who idolize this film a great disservice by not being faithful to his source material.
Why I love A Clockwork Orange: Even with my one major concern, I cannot deny that Kubrick did a flawless, breath-taking job at making Burgess's dystopian Britain a disturbing cinematic reality. Since a picture says a thousand words, I'll leave you with this scene, one that had me spellbound for over 25 minutes as I watched over and over last night on IFC (it also just struck that this particular scene is also the inspiration for one of South Park's most infamous scenes; you'll know which one):
Why I hate A Clockwork Orange: By omitting the last chapter of Anthony Burgess's book from his adaptation, Stanley Kubrick fails to convey his source material's ultimate message: as we grow older and become more mentally mature, we find no need to express our individuality through destructive acts. This isn't to say that assault and rape should be expected and condoned male pastimes of Western civilization (A Clockwork Orange is definitely an exaggeration in terms of what such individuals do at that age), but I don't think any of us here can deny that we all did stupid shit when we were younger that we would take no pleasure in doing now (e.g., egging houses, crank calling, tagging fences, etc.). Alex is not meant to be some incorrigible, inherently evil menace to society. Stanley Kubrick does those who idolize this film a great disservice by not being faithful to his source material.
Why I love A Clockwork Orange: Even with my one major concern, I cannot deny that Kubrick did a flawless, breath-taking job at making Burgess's dystopian Britain a disturbing cinematic reality. Since a picture says a thousand words, I'll leave you with this scene, one that had me spellbound for over 25 minutes as I watched over and over last night on IFC (it also just struck that this particular scene is also the inspiration for one of South Park's most infamous scenes; you'll know which one):
[YOUTUBE]DAB0WzTnMl4[/YOUTUBE]