WhyTravisFelt
Pre-Show Stalwart
Let me preface by saying it's hard to talk about something like this without criticizing, at least to some degree, some of the best Wrestlemania matches, namely the Undertaker-Michaels matches of WM25 and WM26.
I think all of in the IWC already have had this thought, or at least an inkling, that there is a formula to what makes a classic Mania match and that a certain standard has been set not entirely different than say a movie making an Oscar bid relies on a particular formula of plot, subject matter, heartfelt, if not intentionally exaggerated, melodramatics.
Amongst other problems with the HHH-Undertaker match (both men noticeably showing their age, not being able to make up for one anothers weaknesses, various in-ring miscues/miscommunication, overall sloppiness in move execution, the many instances when it was obvious, most particularly for HHH, that there was confusion in unprepared improvising for whatever reason) I think was the overwhelming transparency in the "formula for a classic match." Don't get me wrong, the "formula for a classic match" is fine and works great and is usually spiced up with a few things that make it truly stand out, for example the past two Undertaker-Michaels matches and even going back to the various Austin/Rock/HHH/Michaels combinations through the years.
Going back to the the Oscars simile, this match seemed alot like "The King's Speech" (not an indirect comparison of quality) in that, no matter how much any critic liked the movie they all had the same response of "here's a movie that is obviously tailor-made towards trying to win an Academy Award" and while that seems like a perfectly reasonable and logical concept, it doesn't change the fact of how transparent the formula was.
The biggest problem I think with this match, and maybe it's biggest upside for future WM events and changing the public perspective on what constitutes a "classic Mania match", is that it was boiled down to it's most basic form: Early match finishers designed to bring the fan to the edge of their seats because they have now opened up the floodgate of "now, you don't know where the match can go from here" which probably used to be the truth, but now begs the answer to the question "yeah, I do, a whole lot more finishers that might as well be snapmares with long pauses and two-counts in between." Paired with this is the customary overexaggerated melodramatic pauses in action where both wrestlers do their best to appear exhausted which they excel at like any great actor and, putting my bias against HHH aside, I will say that Undertaker and Triple H are in-ring actors comparable to any academy award winner in what they can invoke from the audience while they are in the ring. Also, while it was definitely one of the brighter spots in the match, HHH hitting Taker with the Tombstone to the intelligent wrestling afficionado is definite lampshading (almost, dare i say it, lampooning) other classic matches where the wrestlers trade finishers (HHH gets pedigreed, Austin gets stunned, Rock gets Rock Bottomed, Angle gets angle/olympic slammed etc.)
I think in the long run, this is a good thing. While this made for a pretty subpar match as far as what was expected, I think revealing the formula in its most basic form maybe makes us expect something more, or at least different, out of what we appreciate from now on. On the other hand, I got dollars to donuts that at some point at WM28 we'll see at least a half dozen AAs and Rock Bottoms and at least one of them, if not both, being done by the other guy. There will also be a duel of People's Elbows and Five Knuckle Shuffles, but that goes without saying and it will still be a decent match, but I think in the long run, eventually, what we will consider genuine classics might involve a little more creativity. In fact, hopefully, that means eventually we'll actually get Daniel Bryan on the ****ing card.
Please share your thoughts. I hope we can all keep this civil despite the fact that the subject matter clearly evokes strong opinions.
I think all of in the IWC already have had this thought, or at least an inkling, that there is a formula to what makes a classic Mania match and that a certain standard has been set not entirely different than say a movie making an Oscar bid relies on a particular formula of plot, subject matter, heartfelt, if not intentionally exaggerated, melodramatics.
Amongst other problems with the HHH-Undertaker match (both men noticeably showing their age, not being able to make up for one anothers weaknesses, various in-ring miscues/miscommunication, overall sloppiness in move execution, the many instances when it was obvious, most particularly for HHH, that there was confusion in unprepared improvising for whatever reason) I think was the overwhelming transparency in the "formula for a classic match." Don't get me wrong, the "formula for a classic match" is fine and works great and is usually spiced up with a few things that make it truly stand out, for example the past two Undertaker-Michaels matches and even going back to the various Austin/Rock/HHH/Michaels combinations through the years.
Going back to the the Oscars simile, this match seemed alot like "The King's Speech" (not an indirect comparison of quality) in that, no matter how much any critic liked the movie they all had the same response of "here's a movie that is obviously tailor-made towards trying to win an Academy Award" and while that seems like a perfectly reasonable and logical concept, it doesn't change the fact of how transparent the formula was.
The biggest problem I think with this match, and maybe it's biggest upside for future WM events and changing the public perspective on what constitutes a "classic Mania match", is that it was boiled down to it's most basic form: Early match finishers designed to bring the fan to the edge of their seats because they have now opened up the floodgate of "now, you don't know where the match can go from here" which probably used to be the truth, but now begs the answer to the question "yeah, I do, a whole lot more finishers that might as well be snapmares with long pauses and two-counts in between." Paired with this is the customary overexaggerated melodramatic pauses in action where both wrestlers do their best to appear exhausted which they excel at like any great actor and, putting my bias against HHH aside, I will say that Undertaker and Triple H are in-ring actors comparable to any academy award winner in what they can invoke from the audience while they are in the ring. Also, while it was definitely one of the brighter spots in the match, HHH hitting Taker with the Tombstone to the intelligent wrestling afficionado is definite lampshading (almost, dare i say it, lampooning) other classic matches where the wrestlers trade finishers (HHH gets pedigreed, Austin gets stunned, Rock gets Rock Bottomed, Angle gets angle/olympic slammed etc.)
I think in the long run, this is a good thing. While this made for a pretty subpar match as far as what was expected, I think revealing the formula in its most basic form maybe makes us expect something more, or at least different, out of what we appreciate from now on. On the other hand, I got dollars to donuts that at some point at WM28 we'll see at least a half dozen AAs and Rock Bottoms and at least one of them, if not both, being done by the other guy. There will also be a duel of People's Elbows and Five Knuckle Shuffles, but that goes without saying and it will still be a decent match, but I think in the long run, eventually, what we will consider genuine classics might involve a little more creativity. In fact, hopefully, that means eventually we'll actually get Daniel Bryan on the ****ing card.
Please share your thoughts. I hope we can all keep this civil despite the fact that the subject matter clearly evokes strong opinions.