"As a dog returns to its vomit, so a fool repeats his folly."
Proverbs 26:11
The scene begins with an outside shot of
Chris K.O. and
James King’s house. The sun is still tucked into the hills and the day is still dimly lit with a blue hue. The shot transitions to Chris lying in his bed. His eyes are open as he stares blankly into the air. The camera zooms in on his eye.
Sir?
The camera remains focused on Chris’ eye.
Sir? Can I help you?
The camera pulls back and we are treated to a shot of a younger Chris K.O. He is standing in suit clothes inside of a large city bank.
Sir?
Chris finally gives attention to the voice, who is revealed as a
clerk behind a counter.
Yes, I would like to make a deposit.
Alright, please fill this out.
The clerk slides Chris a deposit sheet over the counter. He takes it and then steps to the side so that other people behind him may conduct business. The camera zooms in on Chris’ face. He looks nervous as he fills out the deposit sheet. He begins to write down random information on the sheet as a sweat begins to break on his brow. He licks his lips nervously.
Several people do business at the counter as the moments pass. The clerk looks over at Chris, who still has not finished the sheet. Chris swallows as he closes eyes. All of a sudden, his phone begins to ring in his pocket. Chris opens up his eyes in relief and pulls the phone out of his pocket. He fumbles it to his ear.
Hello?
3…
Yes, alright.
2…
I understand.
1…
WHAT ARE YOU TALKING ABOUT?!
Chris’ loud voice draws the attention from several people inside the bank. The front-door security guards even give him attention. BOOM! Three men in black sweats and ski-masks enter the bank. They are all wielding guns as they knock down the distracted guards. One of the men grabs a nearby woman as a hostage. The
center man of the three begins to speak.
Everybody down! Cops, drop your weapons or the girl dies!
Three cops inside of the bank look hesitantly at each other, but finally decide to drop their weapons. Everyone else, including Chris, in the bank is now lying down on the floor.
The camera zooms in on Chris and the scene begins to get cloudy.
The shot resumes back to normal time and the light, that is allowed through the windows, signals that it is early in the morning. Chris makes his way downstairs from his bedroom and through the hallways of the overwhelming parsonage. He finally turns into a room that is littered with books. Hundreds of them are tucked into shelves against the wall. He examines the shelves and picks out a book with a black cover.
He takes it to a lonely office desk and chair in the center of the room. He flicks on a lamp and opens up the book. He slowly reads certain parts of the text and skips several pages at some points. The window gives the room an awkward aura around the yellow lamp light. Only a distant clock and the sound of turning pages can be heard. The camera zooms in on the cover of the book. It reads,
Death of a Salesman.
Chris is shown reading his book inside the study room as footsteps can be heard down the hall. James King passes the room, but double takes to see Chris and enters it.
Hey Chris.
Hey James, what have you been up too?
Chris keeps his focus on the book as he speaks to James.
Down in the catacombs. Just thinking.
You seem to be spending a lot of time down there recently.
I like it. It’s quiet and unnaturally peaceful.
Chris smirks as he continues reading.
So, I’ve heard that we got Kurtesy this week again, along with Brad Bomb again.
Chris does not respond as he turns a page.
Chris?
Hmm?
Did you hear me?
Oh, yes. Sorry.
James looks at Chris in a curious way.
What are you reading.
It is a play called, Death of a Salesman, by Arthur Miller.
Oh.
The camera shows James face as the scene begins to get cloudy. It transitions to the flashback.
Two of the three robbers move from the entrance area and make their way into the bank. The man with the hostage remains at the front entrance. The two mobile robbers begin to harass the clerks to fill bags with money. The center man looks down at Chris on the floor for a moment, but then begins to speak.
Alright, no body wants to be a hero today! We are going to take the money and leave! No one has to die! You three-
He gestures at all three of the unarmed cops.
Move to one spot!
All three of them bunch together in a single area.
Good.
*Bang, Bang, Bang*
All three of them drop. Screams begin to fill the bank.
Shut the hell up!
*Bang*
He fires a shot in the air in order to introduce silence.
You don’t have to end up like these cops! Just stay on the floor!
The camera shows a ground-view of Chris. Chris looks perturbed over the events that just occurred. The angle returns to a shot of the robbers. One of them is now holding several bags of money.
The scene begins to get cloudy again as it transitions back to present time.
So, what’s the play about?
It’s about a salesman who dies.
James rolls his eyes and enters the room formally. He leans his back against an empty space on the wall.
No, really. Why does it have your attention so much right now instead of the match?
You know James; you can find a lot of stuff about your opponent in other places other than the ring.
How do you mean?
This play is about the tragic reality of the American dream. The concept of being successful and the idea of equal opportunity. Arthur Miller paints an interesting portrait that deserves to be examined.
What would that be?
Willy Loman. Consumed by his own occupation. It became a lint roller for all kinds of demons.
Concepts of champions and ideas of title opportunities plague the mind of WZCW superstars. Prime cases are presented to us by Steven Kurtesy and Brad Bomb. Both of them are so fixated on a championship, a triumph, a small victory. So fixated that they continue to go back to their own vomit and eat it. A process that will continue until they can finally hold it down in their stomachs.
We have already delivered several beatings to them both, official and nonofficial. They are two men who threw up in their matches with us. They are two men who have come back to eat and then regurgitate what they have already spewed.
A small amount of silence fills the gap between dialogue.
You’re always so damn philosophical Chris. Can’t you just shoot it straight for once?
Chris smirks as he turns another page. The scene becomes cloudy once more, as it drifts into the past.
Alright. Everyone remain on the floor!
The two robbers begin to make their way to the entrance, where the third robber is still holding a hostage. In this small moment of time, two men jump up and grab the weapons that were dropped by the cops. They take shots at the robbers and take shelter behind counters. The people on the floor begin to shuffle and scream into safer areas. The robbers enter a shooting war with
the two men. They let the hostage go in the process.
Gunfire pollutes the air as screams can be heard inside of the bank.
One of the robbers clutches his leg on the ground.
Shit, I got hit.
The center man looks down at the wound and then in the face of the wounded robber. He shakes his head and raises his gun.
*Bang*
The wounded robber’s head drops from the blow.
What the hell man?!
The
other remaining crook gets in the face of the center man.
He was wounded; we couldn’t take him with us!
The center man pushes the other robber back into open space, allowing the two men to shoot him down. The center man panics from his actions and ducks behind the counter. He looks around and is able to see Chris across the bank. Chris looks at him with distraught eyes. The robber breathes heavily as he takes off his ski mask. He smirks at Chris and slicks his hair back. Immediately he gets up from behind the counter and begins to fire wildly as he dashes for the front entrance.
The scene gets clouded up as shots can be heard. We transitions back to reality.
Chris clamps the book shut and then begins to rub his eyes slowly.
In the end, Willy Loman meets death by his own hands. We are left with two shadows that are casted. One is his son Biff, and the other is his son Happy. Biff understands what has happened to his father, and realizes what he must do to prevent it from happening in his own life. Happy is ignorant to the facts and proclaims that he will carry on his father’s legacy.
Chris ceases to rub his eyes and looks up at James.
What legacy? Kurtesy and Bomb are our versions of Happy, and Everest is their Willy. It's an endless cycle of vomit. An endless cycle of death. It’s not always the bad guys who die in the end James. Not always…
Chris gets up from his seat and places the book back on the shelf. He exits the room and James follows behind him slowly.
The scene becomes cloudy for a final time as it transitions back into the past.
Everything has slowed down at this point. Chris watches with wide eyes. The angle of the final shot is scene from his point of view. Chris’ voice begins to dub over the silent scene.
It’s funny who you meet when you are involved in underground fight clubs. Brawling in boiler rooms of bars can get you some interesting contacts. This man right here is named Tom.
The lone robber runs slowly towards the door. One of the men with the cop’s gun is seen poking from behind a counter.
Tom came to me with an offer. He asked me if I was tired of mooching off of my father. He said that he had a job that would require little risk on my part. Tom didn’t like sharing the risk. Tom was a gambler.
The man steadies his gun and takes aim.
Tom was obsessed with his dreams of becoming rich.
*Bang*
Society flirted wealth in front of his face. Society set him up to fail.
The robber is hit through the back of the head and collapses on the floor. He lies dead on the ground.
Tom had the wrong dreams.
His eyes are opened as his head is faced towards Chris. Chris looks on in shock and then closes his eyes.
An in-depth investigation was done over the robbery, but no other connections were made between the three robbers and additional assailants. Tom covered his tracks pretty good and never kept written record of anything.
I’m a free man by law, but I’m in bondage by my thoughts.
It doesn't matter if you are a salesman, wrestler, or robber. Your occupation will kill you if you let it.
...
I refuse.
The scene goes black.