The scene fades in from black, depicting Dorian Slaughter walking across the plateau of a large hill. It is dusk, a soft steady wind provides background noise. As Slaughter approaches the near side of the plateau, he stands on what appears to be a thick piece of tin protruding from the barren ground.
Slaughter: Welcome, to the land of desolation. What once were worldly treasures, now simply rot under this barren landscape of stench and despair.
The camera pans, revealing the scene to be an active landfill. Flocks of birds circle overhead and dot the landscape, scavenging for scraps of food through the scattered trash.
Slaughter: It is calming to spend one's free moments among the decrepit remains of human waste.
Slaughter steps down off of the rusted metal platform and begins to walk toward the exposed waste.
Slaughter: Shall we walk?
The camera, seemingly begrudgingly, follows Slaughter. He turns to the camera after walking a short distance and falls backward suddenly. His body thuds down onto a mattress inhabiting the trash. He grins.
Slaughter: Ah, treasures.
The camera zooms out, illuminating mounds of trash and ground cover material to either side of where Slaughter sits.
Slaughter: While men of power and fame long for materialistic supremacy, men of a different cloth exist solely to relish in the wasted treasures cast aside by their oppressors.
Herein lies true supremacy. Supremacy of mind, of spirit. A supremacy achieved through the rejection of prominence, notoriety, and exaltation.
Slaughter rolls onto his stomach, his chin resting on the palms of his hands, focused in on the camera
Slaughter: Come down into the darkness. Cast aside your worldly hallucinations of grit and fortitude. Release yourself.
Slaughter extends his arms to either side of his body, his face flush against the mattress. He pauses, after a short time he rolls over and stands up.
Slaughter: Shall we proceed?
Slaughter walks onward, trash crackling beneath his heavy boots, his pant legs dragging across the soggy ground.
Slaughter: Some men desire nothing less than the suffix "Ruler of the World" to follow each time their name rolls off the tongue of someone deemed unequal to their own prowess.
This is my world.
This disgusting scene of decaying waste brings a certain sense of tranquility upon me. I care not about power, fame, glory, championships... these things that men like Veejay strive for, sacrifice their very lives for, are utterly meaningless to a man like myself.
I am a villain. A villain not of the theatrical persona, but rather, a villain of spirit. My sole purpose in coming to the WZCW is to bring redemption to those oppressed by foolish, egotistical pride.
Death will come for you, Veejay, and when it does, oh the beauty. The beauty of that pile of hair gel and arrogance lying motionless on a blood-soaked canvas, shall truly be something to behold.
Slaughter pauses.
Slaughter: Come, follow me.
He begins to ascend a grassy slope, far removed from the littered grounds where he previously stood, approaching a tree line at the far end of the scene.
Slaughter: What do you know of monsters?
Slaughter stops, his eyes reddened from the howling wind. Peering into the camera, he speaks.
Slaughter: Monsters are not things that go bump in the night. Nor are they physically imposing humans capable of bearing the weight of mountains upon their backs.
Slaughter's tone becomes deep, focused.
Slaughter: Monsters are that which you cannot see. That which you sense but cannot place. That which is ever present. Monsters are that which dwell outside of you, omnipotent, omniscient, never leaving a single one of your thoughts uninfluenced.
He pauses, exhales, inhales slowly, then continues on.
Slaughter:Death is the only true monster. And death itself shall be unleashed upon all who neglect to welcome its serenity into their minds.
Slaughter begins to walk again, his paces becoming shorter as the hill becomes steeper.
Slaughter(in a whisper): Do not tremble. Veejay is not trembling.
Veejay is holed up with his tramps in his illustrious penthouse, taking shots of brandy out of goblets made of gold. Gold mined by the hands of the enslaved, fabricated by torches operated by hands of those working toward a meaningless paycheck so that men of power and arrogance can drink from the labors of their hands.
Slaughter points toward the landfill from where they came, the camera pans, showing the scene from afar.
Slaughter: And there... there is where it all ends.
It begins in your world, it ends in mine.
The fruits of your labor are cast aside and left to rot in the Earth.
Veejay, your lavish treasures, your beautiful women, your penthouse suite adorned with golden fixtures, you may have earned them, but they are not yours.
The only thing guaranteed in your life is death.
And when death beckons to you, all of your worldly possessions and your pillars of pride shall rot.
You will cast aside your symbols of success, glory, and honor, and you will send them to me. Send them here, to the wasteland, with the scum of the Earth...
Slaughter pauses, his voice becomes saddened.
Slaughter: To rot.
The camera shifts its focus back to Slaughter, as he turns his back and begins to walk toward the woods.
Slaughter: Death is approaching. You have heard its message.
Won't you choose to rest in death's serenity?
For when death becomes you...
Slaughter's figure disappears into the thick brush.
Slaughter(from afar): You become death.
The camera pauses on the woods for a brief moment, the howling wind and glow of the nighttime sky fill the scene before it fades slowly out.