It's not just the characters, it's the scenes they're written into.The amount of sex and graphic violence in the WWE has decreased drastically from fifteen years ago, when they were targeting an older market. Blood, which they used to practically buy wholesale from the Red Cross, is now a Big Thing. Weapons are physically impractical; you won't see someone being attacked with a bat or crowbar on WWE television- and have you ever seriously tried to wield a folding chair as a weapon?Are you saying Austin's character of a 'bad-ass' and Undertaker's 'deadman' character were easy to understand or mature? I don't think so, they seem pretty basic and a character which which is dark and creepy is very child-oriented. Every era has characters like that but they can still be aimed at adults.
And, yes, those characters were and are pretty easy to understand. Steve Austin rebels against authority. Undertaker is associated with death. There aren't really any complex attributes to the characters which a twenty-five year old could grasp that a thirteen year-old would not.
Because you only get so much time to promote, and when everyone's a superstar, no one is a superstar. It's just not a commodity you can print out as many as you'd like. Making Daniel Bryan into a megastar would by definition reduce the amount of time John Cena has available to him.This still doesn't make sense. He's the only one that makes them a lot of money at the moment. You're saying they can make stars like that and only do so once a generation. If they can, why not make a star like that with all of the main-eventers? Their aim is to make money so why not try to make more? Also these "megastars" genuinely appear to be the better talents. Hogan, Austin, Rock and Cena can cut better promos than a lot of the people from their own generation, are more engaging towards the crowd and have/had some of the best matches. Is that what they do, make and break stars' general talent? It doesn't add up. I believe these stars created themselves.
It's exactly like a high school play. There's one Hamlet. Somebody has to be the star- the focus for the whole production. That doesn't mean there aren't other important roles. You need someone good for Polonius, and some lucky bastard gets to be Laertes. You also need somebody to play Marcellus and Bernardo, just standing around in the background and having an odd line or two to throw out. If everyone gets to be Hamlet, then the whole production gets muddled, and nobody is Hamlet.
So the reason why the WWE doesn't just mass-manufacture megastars is because the formula just doesn't work like that. There's only one match at the end of a PPV.
As to the WWE creating stars, they've built up a massive media machine dedicated to the promotion of a certain few people. (How those certain few are selected is the source of constant crying in the WWE forums.) The kingmakers at the WWE aren't just taking any shmuck off the street and turning him into a megastar; they're looking for people who are capable of being on the road 300+ days a year, doing media appearances the whole time while constantly keeping up a proper body image and fulfilling whatever other criteria makes 'a good wrestler'. You absolutely have to have your own amount of talent in order to make it as a John Cena. But there are plenty of guys with that level of ability who'd love the opportunity to be John Cena. Why don't they get it?
Because the WWE doesn't need another Hamlet right now. They make, and they break.