Viola Moonlight
I'm Literally Just Here for WZCW
Gary Moore is an English guitarist/singer who has played for such bands as Skid Row & Thin Lizzy. For the most part, Moore undertook a solo career that launched many albums & singles into the charts. One of his most infamous songs is known as "Over The Hills & Far Away." For those who don't know, here is a clip:
Nightwish is one of the pioneering bands of the symphonic metal genre, being the first band to be apart of what is now known as symphonic power metal, whose former leader singer Tarja Turunen was deemed the voice of Finland. They recorded their cover in 2001:
For me, I shall vote the Cover seeing as I am a hugely influenced by the symphonic/gothic metal genre. Seeing as how Gary Moore's song is focussed on his singing & his guitar abilities moreso than the song, as per being a solo artist... there is a lack of definition to the song that Nightwish seems to fulfill, mainly with the keyboards & the bass being introduced more heavily into the song. I also appreciate the vocal range of Tarja ranging from her operatic sound in the chorus & interludes alongside her "normal" symphonic/gothic voice, as opposed to Moore utisling the one range.
Any thoughts?
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Nightwish is one of the pioneering bands of the symphonic metal genre, being the first band to be apart of what is now known as symphonic power metal, whose former leader singer Tarja Turunen was deemed the voice of Finland. They recorded their cover in 2001:
[youtube]W8hrKUMJHok[/youtube]
Original or Cover?
Original or Cover?
For me, I shall vote the Cover seeing as I am a hugely influenced by the symphonic/gothic metal genre. Seeing as how Gary Moore's song is focussed on his singing & his guitar abilities moreso than the song, as per being a solo artist... there is a lack of definition to the song that Nightwish seems to fulfill, mainly with the keyboards & the bass being introduced more heavily into the song. I also appreciate the vocal range of Tarja ranging from her operatic sound in the chorus & interludes alongside her "normal" symphonic/gothic voice, as opposed to Moore utisling the one range.
Any thoughts?