STFU Donnie
Occasional Pre-Show
First a mini-rant: This anti-hero argument, which I've heard from Heyman to Russo to Nash, that somehow the 90's represent some historical and unique cultural shift that created anti-heroes is poppycock. Anti-heroes or tragic-heroes go all the way back to Shakespeare and in terms of modern pop culture, just look at movies like The original Scarface, Cool Hand Luke, Dog Day Afternoon. It's such a pet peeve of mine when people make up a narrative to explain something far more simple. The 90's boom was demographics, pure and simple. The kids who fueled the 80's boom were teenagers and young adults in the 90's, so a more mature product drew those fans back. It's the same idea behind going PG. Sure it has the added benefit of being more attractive to sponsors, but the idea behind the change is a recognition of the demographic shift that the kids of the 80's, who became teenagers and young adults in the 90's, are now married with kids. So WWE wants to be family friendly so those dads introduce their kids to wrestling and theoretically WWE will keep today's kids and then their kids, etc.
So let's put character roles on a line. You have the pure hero, the anti-hero, and the villain. Now heroes can be pure and virtuous or troubled smart-asses (being "cool" doesn't really make them an anti-hero). The pure anti-hero is a villain...but because he is battling a pure villain, the audience finds qualities to relate to or the cause will allow the ends to justify the means. Villains, however, have either have no redeeming qualities or what they do drowns out any vestige of humanity. I can't think of a single compelling story about conflict without a truly powerful villain. The hero can have any number of qualities the audience might like or not like, but without the compelling villain, the story falls flat. The Joker makes Batman, Hanz Gruber makes John McClain, the sheriff makes Rambo.
The problem with WWE today is there are no villains. Instead the babyfaces are heroes and the heels are anti-heroes. Now I believe WWE would be smart to position characters in all three categories: Let a John Cena be the pure and virtuous babyface to appeal to the 6-12 year old demo, Let a CM Punk be the anti-hero for the 13-35 demo, and then create a crew of villains and incentivize those guys to get heat and forget merchandise, instead cut them in on the heroes and anti-heroes they work with. In essence, you have half the roster be irredeemable heels and then you cut up the babyface side between hero and anti-hero, but you do not intermingle those two sides, rather you tease tension.
I'm a big Walking Dead fan (I hope you are as well so this makes sense) and I think WWE could watch and learn how you craft characters and create conflict.
Take Season 1: John Cena is Rick, the pure and virtuous hero...who sometimes seems naive and weak. CM Punk is Shane, the anti-hero who is an absolute realist and will use any means necessary to survive. In season 1, Rick and Shane are the babyfaces at odds, fighting the heels, the walkers.
Take Season 3: John Cena faces the crisis of confidence that his good ways actually were making him weak...but the introduction of a true and absolute villain in The Governor gives him focus and reminds him in the end that weakness is good. WWE has no Governors or walkers and that is the single biggest missing ingredient. The Walking Dead is popular as hell and Rick is John Cena. He's kind, does the right thing, and really is kind of annoying at times...but having a Governor and walkers that are impossible to root for ensures the audience is with Rick.
Take Season 2: The tension between the hero Rick and the anti-hero Shane comes to a head and Shane does a heel turn. As a fan, I related more to Shane in season 1. Rick was John Cena for me. But then in Season 2, Shane's realism turned to ruthless cruelty. So while it didn't make me a fan of Rick, Shane's turn created a compelling story where I wanted Rick to win...even if I wasn't nuts about him. And at the start of season 3, I had my other anti-hero in Daryl as my favorite.
The issue I see with WWE is that nobody is truly a heel. Punk, Ziggler, The Shield, etc are all anti-heroes. They all use the old school tricks to make sure there are aspects of their work that appeals to the audience because they need to sell those shirts to make the big money because nobody is really a draw right now and the spots on the card are determined by merchandise sales...and I think the reason WWE doesn't have any draws is they don't have any villains to make the heroes and anti-heroes compelling.
So the question is: Where have all the good heels gone?
So let's put character roles on a line. You have the pure hero, the anti-hero, and the villain. Now heroes can be pure and virtuous or troubled smart-asses (being "cool" doesn't really make them an anti-hero). The pure anti-hero is a villain...but because he is battling a pure villain, the audience finds qualities to relate to or the cause will allow the ends to justify the means. Villains, however, have either have no redeeming qualities or what they do drowns out any vestige of humanity. I can't think of a single compelling story about conflict without a truly powerful villain. The hero can have any number of qualities the audience might like or not like, but without the compelling villain, the story falls flat. The Joker makes Batman, Hanz Gruber makes John McClain, the sheriff makes Rambo.
The problem with WWE today is there are no villains. Instead the babyfaces are heroes and the heels are anti-heroes. Now I believe WWE would be smart to position characters in all three categories: Let a John Cena be the pure and virtuous babyface to appeal to the 6-12 year old demo, Let a CM Punk be the anti-hero for the 13-35 demo, and then create a crew of villains and incentivize those guys to get heat and forget merchandise, instead cut them in on the heroes and anti-heroes they work with. In essence, you have half the roster be irredeemable heels and then you cut up the babyface side between hero and anti-hero, but you do not intermingle those two sides, rather you tease tension.
I'm a big Walking Dead fan (I hope you are as well so this makes sense) and I think WWE could watch and learn how you craft characters and create conflict.
Take Season 1: John Cena is Rick, the pure and virtuous hero...who sometimes seems naive and weak. CM Punk is Shane, the anti-hero who is an absolute realist and will use any means necessary to survive. In season 1, Rick and Shane are the babyfaces at odds, fighting the heels, the walkers.
Take Season 3: John Cena faces the crisis of confidence that his good ways actually were making him weak...but the introduction of a true and absolute villain in The Governor gives him focus and reminds him in the end that weakness is good. WWE has no Governors or walkers and that is the single biggest missing ingredient. The Walking Dead is popular as hell and Rick is John Cena. He's kind, does the right thing, and really is kind of annoying at times...but having a Governor and walkers that are impossible to root for ensures the audience is with Rick.
Take Season 2: The tension between the hero Rick and the anti-hero Shane comes to a head and Shane does a heel turn. As a fan, I related more to Shane in season 1. Rick was John Cena for me. But then in Season 2, Shane's realism turned to ruthless cruelty. So while it didn't make me a fan of Rick, Shane's turn created a compelling story where I wanted Rick to win...even if I wasn't nuts about him. And at the start of season 3, I had my other anti-hero in Daryl as my favorite.
The issue I see with WWE is that nobody is truly a heel. Punk, Ziggler, The Shield, etc are all anti-heroes. They all use the old school tricks to make sure there are aspects of their work that appeals to the audience because they need to sell those shirts to make the big money because nobody is really a draw right now and the spots on the card are determined by merchandise sales...and I think the reason WWE doesn't have any draws is they don't have any villains to make the heroes and anti-heroes compelling.
So the question is: Where have all the good heels gone?