Mustang Sally
Sells seashells by the seashore
His history with WWE has been sketchy, at best. He's been part of the Creative team.....then, he wasn't. He worked with Stephanie.....then, he didn't. He was fired from the company.....then, brought back.
When Brock Lesnar was hired part-time, someone had the bright idea of bringing in Heyman as his 'advocate' knowing that Brock either had limited ability on the mic.....or chose to do little speaking as part of his contract.
Of even more importance, the company needed someone to keep Brock in our minds during his frequent absences.....and correctly hired the man who is arguably the best speaker in pro wrestling history.
Okay, fine.....so that's what Paul was here for. So why did they add CM Punk to Heyman's stable? If ever there was a performer who didn't need someone to act as a mouthpiece, it was Punk.
Then, when Heyman was given Curtis Axel and Ryback as clients, it seemed the company was really putting the yoke around Heyman's neck, giving him much more to do since those guys, unlike Brock, were full-time performers in WWE and much more was required of Heyman.
Then, the team disbanded and as this forum discussed who Heyman would be given after Axel/Ryback, Paul was given.....no one. To this day, he handles only Brock. What changed in Creative's planning?
So, I'd like to know:
-Does Heyman travel with the company? Is he backstage at every show?
-Does he have any creative input or is he strictly an on-air character?
-In connection with the above, has he adapted to not having a voice in the production? We suspect that years ago, he regarded Stephanie McMahon (and everyone else) as inferior to him in the creative end of producing a wrestling show......does he have her ear now? Is he allowed to make suggestions?
-Why did they give him a lot to do.....and then cut it down?
-What do you see him doing with WWE (or not) in the future?
When Brock Lesnar was hired part-time, someone had the bright idea of bringing in Heyman as his 'advocate' knowing that Brock either had limited ability on the mic.....or chose to do little speaking as part of his contract.
Of even more importance, the company needed someone to keep Brock in our minds during his frequent absences.....and correctly hired the man who is arguably the best speaker in pro wrestling history.
Okay, fine.....so that's what Paul was here for. So why did they add CM Punk to Heyman's stable? If ever there was a performer who didn't need someone to act as a mouthpiece, it was Punk.
Then, when Heyman was given Curtis Axel and Ryback as clients, it seemed the company was really putting the yoke around Heyman's neck, giving him much more to do since those guys, unlike Brock, were full-time performers in WWE and much more was required of Heyman.
Then, the team disbanded and as this forum discussed who Heyman would be given after Axel/Ryback, Paul was given.....no one. To this day, he handles only Brock. What changed in Creative's planning?
So, I'd like to know:
-Does Heyman travel with the company? Is he backstage at every show?
-Does he have any creative input or is he strictly an on-air character?
-In connection with the above, has he adapted to not having a voice in the production? We suspect that years ago, he regarded Stephanie McMahon (and everyone else) as inferior to him in the creative end of producing a wrestling show......does he have her ear now? Is he allowed to make suggestions?
-Why did they give him a lot to do.....and then cut it down?
-What do you see him doing with WWE (or not) in the future?