I could post this in either PPV section, I suppose, but I think it's more relevant with TNA going to 4 PPV's this year. Yes, this isn't old news, as I'm well aware. However, after posting in the Sting vs. Bully Ray thread, and the direction the feud needs to head, I thought of what TNA needs to do to make me purchase what they're selling every 3 months.
On the whole, I've been a loyalist to both WWE and TNA in the past by purchasing every PPV, or going out with friends to watch them. But with the reduction of PPV's, my expectations have risen. With more time to build, the quality needs to improve. If the build improves, generally, the payoffs are more satisfying as well on the show. Personally, there are four things I'm looking for.
Proper Feuds: Perhaps it's sad, but I remember the go-home Impact for Turning Point 2011. Specifically, the "build" for the title match. As TNA was less then five minutes from going off the air, AJ Styles stormed the ring and challenged World Champion Booby Roode for the title at Turning Point. I was completely flabbergasted. How can you expect to sell a PPV to your audience when your main event is announced with five minutes left in your go-home show?
That's why I'm encouraged that we have a Sting/Bully Ray match made a month before the Slammiversary PPV. There's a story there to be told, and while they have to sell it, it's off to a good start.
That's what I'm looking for in every match. If it means you can only get six matches on the card, so be it. Obviously, selling the main event is the most important, but I want sold on the undercard as well. Even if the X Division is going to be a three-way spotfest, I want to know why they're fighting.
With only two hours of TV a week, it's hard to get everyone on TV each week, but 3 months between PPV's provide plenty of time to sell a feud. From the opener to the main event, each match should be built to a place where one is invested in a winner and a loser, not just the spectacle of the match.
Every Title Defended: Mickie James recently spoke to her frustration with TNA, and part of it was the existence of the TNA Knockout Tag Team Championships:
If you want to sell the idea of being the best, what better way to do it then by using your existing titles? I can forgive a company for not having titles defended on TV if they have proper feuds built towards them for a PPV. However, the X Division champion hasn't been on TV in weeks. There's been virtually no mention made to the TV title, and Mickie James illustrated the problem with the Women's Tag Championships.
If you're not going to use them, get rid of them. Sometimes, less is more. But what better way to best use the titles, to determine the best in each division, then by having them defended on PPV?
Quality finishes: Heels cheat, and babyfaces are honorable. Most times, that's wrestling 101. However, one of the things that weighed down Bobby Roode's record-setting reign were the numerous cheap finishes. As a face, he showed he was plenty capable of beating quality opposition, and those skills don't go away suddenly when you turn heel.
The other problem this created was the need for rematch after rematch. James Storm, Jeff Hardy and AJ Styles, for example, got multiple shots at the title. That's passable with 10-12 PPV's a year. With 4, most matches should end feuds. Bully Ray, for example, can't get caught in the Scorpion only to have Aces and Eights storm the ring for the DQ. If they're going to move forward with Ray as champion, he needs to beat Sting in a way that doesn't necessitate the program continuing. I don't mind if he, or other heels, cheat to win. What's unacceptable at this point are purposeful DQ's, ties, or outs for the loser. Rematch clause if the champion loses? Sure.
But besides that, move on.
Meaningful matches: One of my biggest frustrations with both WWE and TNA on PPV are TV matches on PPV. Matches I could tune in to Raw or Impact to see. Granted, there's need for filler, but how do you truly culminate a feud with an 8-10 minute match? I suppose you can finish a feud with a squash, sure, but in order to tell the story that's been(hopefully) built for the past 3 months, you need time.
As I said before, I don't care if this means there are only 6 matches on the card. Lockdown failed for me in a way because had three matches in a row that went 8 minutes or less. How do you tell a cohesive story there, or develop a flow to the PPV?
Give me 2 matches of twenty minutes or more, 3 going ten-twenty, and 1-2 as filler under ten, and you've got a far more cohesive product. Those 20+ minute matches have a chance to be special, with the rest making the card flow. Wrestling companies in general need to be less concerned with getting everyone on their shows, and more concerned with making those who get on the shows make the time count.
Generally speaking, smaller cards with longer matches tend to do exactly that.
When you're putting on a show just every three months, said show should feel very special. Generating personal feuds with compelling storylines for high stakes that tell logical stories within the ring not only do exactly that, but are possible as well.
Thoughts?
Anything I missed that you're looking for from a quarterly PPV?
On the whole, I've been a loyalist to both WWE and TNA in the past by purchasing every PPV, or going out with friends to watch them. But with the reduction of PPV's, my expectations have risen. With more time to build, the quality needs to improve. If the build improves, generally, the payoffs are more satisfying as well on the show. Personally, there are four things I'm looking for.
Proper Feuds: Perhaps it's sad, but I remember the go-home Impact for Turning Point 2011. Specifically, the "build" for the title match. As TNA was less then five minutes from going off the air, AJ Styles stormed the ring and challenged World Champion Booby Roode for the title at Turning Point. I was completely flabbergasted. How can you expect to sell a PPV to your audience when your main event is announced with five minutes left in your go-home show?
That's why I'm encouraged that we have a Sting/Bully Ray match made a month before the Slammiversary PPV. There's a story there to be told, and while they have to sell it, it's off to a good start.
That's what I'm looking for in every match. If it means you can only get six matches on the card, so be it. Obviously, selling the main event is the most important, but I want sold on the undercard as well. Even if the X Division is going to be a three-way spotfest, I want to know why they're fighting.
With only two hours of TV a week, it's hard to get everyone on TV each week, but 3 months between PPV's provide plenty of time to sell a feud. From the opener to the main event, each match should be built to a place where one is invested in a winner and a loser, not just the spectacle of the match.
Every Title Defended: Mickie James recently spoke to her frustration with TNA, and part of it was the existence of the TNA Knockout Tag Team Championships:
"Besides the X Division Championship, the female tag team championship is the only thing we have that nobody else has. I think our ladies’ division is so unique and so different that it gives you something else to fight for. I don’t know why they’re sitting around ODB and EY’s waists, and they’re not even defending them and nobody else is getting a shot at them. There’s no storyline; there’s nothing wrapped around them. They just kind of won the belts and that was it. Then we forgot about them."
If you want to sell the idea of being the best, what better way to do it then by using your existing titles? I can forgive a company for not having titles defended on TV if they have proper feuds built towards them for a PPV. However, the X Division champion hasn't been on TV in weeks. There's been virtually no mention made to the TV title, and Mickie James illustrated the problem with the Women's Tag Championships.
If you're not going to use them, get rid of them. Sometimes, less is more. But what better way to best use the titles, to determine the best in each division, then by having them defended on PPV?
Quality finishes: Heels cheat, and babyfaces are honorable. Most times, that's wrestling 101. However, one of the things that weighed down Bobby Roode's record-setting reign were the numerous cheap finishes. As a face, he showed he was plenty capable of beating quality opposition, and those skills don't go away suddenly when you turn heel.
The other problem this created was the need for rematch after rematch. James Storm, Jeff Hardy and AJ Styles, for example, got multiple shots at the title. That's passable with 10-12 PPV's a year. With 4, most matches should end feuds. Bully Ray, for example, can't get caught in the Scorpion only to have Aces and Eights storm the ring for the DQ. If they're going to move forward with Ray as champion, he needs to beat Sting in a way that doesn't necessitate the program continuing. I don't mind if he, or other heels, cheat to win. What's unacceptable at this point are purposeful DQ's, ties, or outs for the loser. Rematch clause if the champion loses? Sure.
But besides that, move on.
Meaningful matches: One of my biggest frustrations with both WWE and TNA on PPV are TV matches on PPV. Matches I could tune in to Raw or Impact to see. Granted, there's need for filler, but how do you truly culminate a feud with an 8-10 minute match? I suppose you can finish a feud with a squash, sure, but in order to tell the story that's been(hopefully) built for the past 3 months, you need time.
As I said before, I don't care if this means there are only 6 matches on the card. Lockdown failed for me in a way because had three matches in a row that went 8 minutes or less. How do you tell a cohesive story there, or develop a flow to the PPV?
Give me 2 matches of twenty minutes or more, 3 going ten-twenty, and 1-2 as filler under ten, and you've got a far more cohesive product. Those 20+ minute matches have a chance to be special, with the rest making the card flow. Wrestling companies in general need to be less concerned with getting everyone on their shows, and more concerned with making those who get on the shows make the time count.
Generally speaking, smaller cards with longer matches tend to do exactly that.
When you're putting on a show just every three months, said show should feel very special. Generating personal feuds with compelling storylines for high stakes that tell logical stories within the ring not only do exactly that, but are possible as well.
Thoughts?
Anything I missed that you're looking for from a quarterly PPV?