Johnbragg, can you please stop trying to convince every single poster
in this thread that the "Crazy Train Pec Dancing Gimmick" should be Masters' next angle on Raw? We get it. You think it would work. Great.
Actually, I'm only trying to convince the Chris Masters fans to get behind it. I didn't know that there were any.
Secondly, it was a comedic moment by Masters that cannot get beaten into a bloody pulp or else it will take all of the entertainment and special properties out of the first time that it was done
Lord Sidious will be on my rear end for this, but there's no revenue in "the first time it was done." Everyone had already bought their ticket or was already watching or whatever. No one is buying it on DVD for that two-minute bit. The only way to monetize that moment is to make it Master's gimmick and run with it. Maybe it would fail, but I think that Masters' current path is much more likely to fail.
a man with a short, but bad track record.
Would it be a better idea for a guy with a GOOD track record? I don't think we'd be having this discussion if it hadn't been someone widely regarded as going nowhere.
Sure. Let it be forgotten. And six months or a year of pointless jobbing from now, creative "has nothing for him", and he gets cut.
Now, please let's stay on subject. The original topic was if you thought the Chris Masters part of the "Raw's Got Talent" segment on Raw was funny or not and your reasoning behind it.
I think that everyone who is interested has already voted in that poll. IS it time to close the thread, or should we specify that future posts should only address "was it funny" with no followup discussions?
As for the reasoning behind it, there were several unexpected contrasts at play, which is usually the source of humor.
A previously boring personality did something interesting.
Chris Masters' physique, normally a source of revulsion or boredom, became a source of amusement and joy.
A normally stationary part of the body, the pec, moved, while the normally moving parts of the body stayed stationary.
Usually, we communicate through speech and facial expressions. Masters showed none, simply moving his pecs in time to the music.
That's all I've got.