Oh, goodness. You really went and hit the right spot here, TM.
I'm going to limit this to studio albums, and I'll break it down album by album.
The Clash was the first full studio album released by the Clash, and damn it's a fine album. It's got several of the Clash's best recordings, with "I'm So Bored With the USA" and, a personal favorite, "White Riot". Add "London's Burning" and "Police & Thieves", and you've got some of the Clash's very best here. It's a brilliant album, all in all, and it put the on the map. The punk map, anyway. Jones and Strummer are fantastic on vocals and especially on guitars here, an album that features some truly stellar punk style guitar playing. Gorgeous album, one of the Clash's best.
Give 'Em Enough Rope isn't quite as good or as well known, but I still love it, of course. "English Civil War" and "Tommy Gun" are two of the Clash's most lyrically powerful, musically great recordings. "Julie's Been Working for the Drug Squad" is a bit of a forgotten classic, as well. It's still an iconic punk album, despite, in my opinion, not as good as
The Clash or several of the Clash's later recordings, but what the hell, it's still a Clash album.
London Calling...I mean, what is there to say about it? It is, in my personal, humble opinion, the single greatest album of all time. It sold over two million copies, and, if they weren't before, turned the Clash into international stars, with huge chart performances in Sweden, Norway, and the US. It produced my favorite, all time song, the titular track, "London Calling". I had to go listen to it again just mentioning it. It's recognized nigh unanimously by the general music community as one of the greatest musically and most important historically of all albums. But really, this album isn't just about "London Calling". It just keeps on hitting with "Brand New Cadillac", "Rudie Can't Fail", "Spanish Bombs", "Lost in the Supermarket", "Clampdown", "The Guns of Brixton", "Death or Glory", "The Card Cheat", "Revolution Rock" (yes, damn it, I even love Revolution Rock), and "Train in Vain". It gets a longer list of hits because it's a double, but fuck it, it's still absolutely phenomenal.
Sandinista!, alright, let me gather myself from that outpouring of love on
London Calling. It's a bit of weird album, as the Clash diversifies into damn near every genre around. This was a trend we saw in
London Calling, as they diversified into reggae, but
Sandinista! really took it to a new level. Now, when I call it weird, don't take that to mean
bad, because it's a classic. It ranks among the best of all '80s albums. Particularly "The Magnificent Seven" is interesting as one of Britain's first rap songs. "Hitsville UK", "Junco Partner", "The Call Up", "Washington Bullets", and "Lose This Skin" are all great tracks off this album.
Combat Rock is more or less the last great Clash project, as Jones and Headon would both depart the band afterward. Though still diversified, it cuts back from
Sandinista! and gets back to a more straight punk, though still with variations in it. "Know Your Rights", "Should I Stay or Should I Go", "Rock the Casbah", "Straight to Hell", and "Ghetto Defendant" are all solid recordings from this release.
And now, the ever wonderful,
Cut the Crap.
Cut the Crap is an unfortunate title, because, really, the album is crap. Jones and Headon are gone, and Strummer is barely with it. Strummer and the majority of the Clash fans worldwide have opted to disown and try to forget the album. It managed to produce one solid recording in "This is England", but other than that, it's an unfortunate, disappointing, altogether poor end to the Clash's otherwise incredible catalog.
So, for all that, I'm going to have to go with what is inevitably going to be the popular choice, because damn it, I can't lie to myself.
London Calling is perfection. The titular track is my favorite song, and there's nearly another dozen tracks on here I'm in love with. I enjoy the rest of the album, and it's one of the very few albums I'm in possession of where I can listen to the whole thing without a single down moment. It's true musical greatness, my favorite Clash album, and my favorite album all time.