2016 Oscars: The Full List Of Winners

Mitch Henessey

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BEST ACTOR
Bryan Cranston, “Trumbo”
Matt Damon, “The Martian”
Leonardo DiCaprio, “The Revenant”
Michael Fassbender, “Steve Jobs”
Eddie Redmayne, “The Danish Girl”

BEST ACTRESS
Cate Blanchett, “Carol”
Brie Larson, “Room”
Jennifer Lawrence, “Joy”
Charlotte Rampling “In 45 Years”
Saoirse Ronan, “Brooklyn”

BEST SUPPORTING ACTOR
Christian Bale, “The Big Short”
Tom Hardy, “The Revenant”
Mark Ruffalo, “Spotlight”
Mark Rylance, “Bridge of Spies”
Sylvester Stallone, “Creed”

BEST SUPPORTING ACTRESS
Jennifer Jason Leigh, “The Hateful 8″
Rooney Mara, “Carol”
Rachel McAdams, “Spotlight”
Alicia Vikander, “The Danish Girl”
Kate Winslet, “Steve Jobs”

BEST PICTURE
“The Big Short”
“Bridge of Spies”
“Brooklyn”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Room”
“Spotlight”

BEST DIRECTOR
Adam Mckay, “The Big Short”
George Miller, “Mad Max: Fury Road”
Alejandro Innaritu, “The Revenant”
Lenny Abramson, “Room”
Tom McCarthy, “Spotlight”

BEST ORIGINAL SONG
“Earned It” (“Fifty Shades of Grey”)
“Manta Ray” (“Racing Extinction”)
“Simple Song #3″ (“Youth”)
“Til It Happens to You” (“The Hunting Ground”)
“Writing’s on the Wall” (“SPECTRE”)

BEST ADAPTED SCREENPLAY
“The Big Short”
“Brooklyn”
“Carol”
“The Martian”
“Room”

BEST ORIGINAL SCREENPLAY
“Bridge of Spies”
“Ex Machina”
“Inside Out”
“Spotlight”
“Straight Outta Compton”

BEST ORIGINAL SCORE
“Bridge of Spies”
“Carol”
“The Hateful 8″
“Sicario”
“Star Wars: The Force Awakens”

BEST FOREIGN FILM
“Embrace of the Serpent”
“Mustang”
“Son of Saul”
“Theeb”
“A War”

BEST VISUAL EFFECTS
“Ex Machina”
“Mad Max”
“The Martian”
“The Revenant”
“Star Wars: The Force Awakens”

ACHIEVEMENT IN FILM EDITING
“The Big Short”
“Mad Max: Fury Road”
“The Revenant”
“Spotlight”
“Star Wars: The Force Awakens”

ACHIEVEMENT IN PRODUCTION DESIGN
“Bridge of Spies”
“Danish Girl”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”

ACHIEVEMENT IN CINEMATOGRAPHY
“Carol”
“Hateful 8″
“Mad Max: Fury Road”
“The Revenant”
“Sicario”

BEST DOCUMENTARY SHORT
“Body Team 12″
“Chau Beyond the Lines”
“Claude Lanzamann: Spectres of the Shoah”
“Girl in the River: The Price of Forgiveness”
“Last Day of Freedom”

BEST DOCUMENTARY FEATURE
“Amy”
“Cartel Land”
“The Look of Silence”
“What Happened Miss Simone?”
“Winter On Fire: Ukraine’s Fight for Freedom”

COSTUME DESIGN
“Carol”
“Cinderella”
“The Danish Girl”
“Mad Max: Fury Road”
“The Revenant”

ACHIEVEMENT IN SOUND EDITING
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Sicario”
“Star Wars: The Force Awakens”

ACHIEVEMENT IN SOUND MIXING
“Bridge of Spies”
“Mad Max: Fury Road”
“The Martian”
“The Revenant”
“Star Wars: The Force Awakens”

ACHIEVEMENT IN MAKEUP AND HAIRSTYLING
“Mad Max: Fury Road”
“The 100 Year Old Man Who Climbed Out a Window and Disappeared”
“The Revenant”

BEST LIVE ACTION SHORT FILM
“Ave Maria”
“Day One”
“Everything Will Be Okay”
“Shok”
“Stutterer”

BEST ANIMATED SHORT
“Bear Story”
“Prologue”
“Sanjay’s Super Team”
“We Can’t Live Without Cosmos”
“World of Tomorrow”

BEST ANIMATED FEATURE
“Anomalisa”
“Boy and the World”
“Inside Out”
“Shaun the Sheep Movie”
“When Marnie Was There”

The Revenant leads the way with twelve total nominations, and with a lot of buzz surrounding the movie and positive, strong reviews, there's a better chance for DiCaprio finally winning his first Oscar for Best Actor.

I haven't seen the movie, but Eddie Redmayne's nomination for The Danish Girl doesn't surprise me at all. Jennifer Lawrence has Joy's lone nomination for Best Actress, but you have to believe Cate Blanchett is the front-runner for Carol. Also, with mixed reviews and an overall lukewarm reception, maybe it's time for David O. Russell and the powers that be to take a break from the "let's put Bradley Cooper, Jennifer Lawrence, and Robert De Niro in the same cast again, and hope for lighting to strike in the same place twice" formula. Remember, American Hustle was nominated for ten Academy Awards a few years ago, but the movie failed to win any gold in all ten categories.

I still need to watch Room, Brooklyn, The Hateful Eight, Steve Jobs, and I haven't seen The Revenant yet. A part of me wants to make a case for Johnny Depp as Whitey Bulger in Black Mass, but overall, Black Mass is just a solid crime drama at best. Last year, I was pulling for Michael Keaton to win Best Actor, and this year I'm rooting for Stallone in Creed. Looking at the other nominees, you could say Stallone's chances to win are slim, but his performance is one of the major highlights in Creed.
 
The issue that's going to follow with that list of nominations is its lack of diversity. If it hasn't been brought up yet to the media, I can see it coming.
 
Idris Elba might've got an Oscar nom if Beasts Of No Nation was a better film.

Probably DiCaprio's year. Personally think he's deserved the majority of his nominations, but rightfully hasn't won any. I'll see if it's the same case when I catch The Repentant next week.

Glad to see Mad Max pick up big nominations, as well as Stallone.

I'm surprised more hasn't been made about Redmayne's performance. I thought it was comically bad. At one point he's told by a doctor that they might be able to fashion him a vagina, he giggles like a schoolgirl. That's the only way I can put it. There are numerous other instances. If I was a transsexual i'd actually be offended. In fact, I was offended and I don't give a fuck about transsexuals.

Alicia Vikander was outstanding though.
 
The Full list of winners:

BEST ACTOR

Winner *** Leonardo DiCaprio, The Revenant
Bryan Cranston, Trumbo
Matt Damon, The Martian
Michael Fassbender, Steve Jobs
Eddie Redmayne, The Danish Girl

BEST ACTRESS

Winner *** Brie Larson, Room
Cate Blanchett, Carol
Jennifer Lawrence, Joy
Charlotte Rampling, In 45 Years
Saoirse Ronan, Brooklyn

BEST SUPPORTING ACTOR

Winner *** Mark Rylance, Bridge of Spies
Christian Bale, The Big Short
Tom Hardy, The Revenant
Mark Ruffalo, Spotlight
Sylvester Stallone, Creed

BEST SUPPORTING ACTRESS

Winner *** Alicia Vikander, The Danish Girl
Jennifer Jason Leigh, The Hateful 8
Rooney Mara, Carol
Rachel McAdams, Spotlight
Kate Winslet, Steve Jobs

BEST PICTURE

Winner *** Spotlight
The Big Short
Bridge of Spies
Brooklyn
Mad Max: Fury Road
The Martian
The Revenant
Room

BEST DIRECTOR

Winner *** Alejandro G. Iñárritu, The Revenant
Adam McKay, The Big Short
George Miller, Mad Max: Fury Road
Lenny Abrahamson, Room
Tom McCarthy, Spotlight

BEST ORIGINAL SONG

Winner *** “Writing’s on the Wall” for SPECTRE (Jimmy Napes and Sam Smith)
“Earned It” for Fifty Shades of Grey (The Weeknd, Ahmad Balshe, Jason Quenneville, and Stephan Moccio)
“Manta Ray” for Racing Extinction (J. Ralph and Anohni)
“Simple Song #3” for Youth (David Lang)
“Til It Happens to You” for The Hunting Ground (Diane Warren and Lady Gaga)

BEST ADAPTED SCREENPLAY

Winner *** The Big Short (Charles Randolph and Adam McKay)
Brooklyn (Nick Hornby)
Carol (Phyllis Nagy)
The Martian (Drew Goddard)
Room (Emma Donoghue)

BEST ORIGINAL SCREENPLAY

Winner *** Spotlight (Josh Singer and Tom McCarthy)
Bridge of Spies (Matt Charman, Ethan Coen, and Joel Coen)
Ex Machina (Alex Garland)
Inside Out (Pete Docter, Meg LeFauve, Josh Cooley, and Ronnie del Carmen)
Straight Outta Compton (Jonathan Herman, Andrea Berloff, S. Leigh Savidge, and Alan Wenkus)

BEST ORIGINAL SCORE

Winner *** The Hateful 8 (Ennio Morricone)
Bridge of Spies (Thomas Newman)
Carol (Carter Burwell)
Sicario (Jóhann Jóhannsson)
Star Wars: The Force Awakens (John Williams)

BEST FOREIGN LANGUAGE FILM

Winner *** Son of Saul (Hungary – directed by László Nemes)
Embrace of the Serpent (Colombia – directed by Ciro Guerra)
Mustang (France – directed by Deniz Gamze Ergüven)
Theeb (Jordan – directed by Naji Abu Nowar)
A War (Denmark – directed by Tobias Lindholm)

ACHIEVEMENT IN VISUAL EFFECTS

Winner *** Ex Machina (Andrew Whitehurst, Paul Norris, Mark Ardington, and Sara Bennett)
Mad Max (Chris Jenkins, Gregg Rudloff, and Ben Osmo)
The Martian (Richard Stammers, Anders Langlands, Chris Lawrence, and Steven Warner)
The Revenant (Rich McBride, Matthew Shumway, Jason Smith, and Cameron Waldbauer)
Star Wars: The Force Awakens (Roger Guyett, Patrick Tubach, Neal Scanlan, and Chris Corbould)

ACHIEVEMENT IN FILM EDITING

Winner *** Mad Max: Fury Road (Margaret Sixel)
The Big Short (Hank Corwin)
The Revenant (Stephen Mirrione)
Spotlight (Tom McArdle)
Star Wars: The Force Awakens (Maryann Brandon and Mary Jo Markey)

ACHIEVEMENT IN PRODUCTION DESIGN

Winner *** Mad Max: Fury Road (Colin Gibson and Lisa Thompson)
Bridge of Spies (Adam Stockhausen, Rena DeAngelo, and Bernhard Henrich)
Danish Girl (Eve Stewart and Michael Standish)
The Martian (Arthur Max and Celia Bobak)
The Revenant (Jack Fisk and Hamish Purdy)

ACHIEVEMENT IN CINEMATOGRAPHY

Winner *** The Revenant (Emmanuel Lubezski)
Carol (Ed Lachman)
The Hateful 8 (Robert Richardson)
Mad Max: Fury Road (John Seale)
Sicario (Roger Deakins)

BEST DOCUMENTARY SHORT

Winner *** A Girl in the River: The Price of Forgiveness (Sharmeen Obaid-Chinoy)
Body Team 12 (David Darg and Bryn Mooser)
Chau, Beyond the Lines (Courtney Marsh and Jerry Franck)
Claude Lanzamann: Spectres of the Shoah (Adam Benzine)
Last Day of Freedom (Dee Hibbert-Jones and Nomi Talisman)

BEST DOCUMENTARY FEATURE

Winner *** Amy (Asif Kapadia and James Gay-Rees)
Cartel Land (Matthew Heineman and Tom Yellin)
The Look of Silence (Joshua Oppenheimer and Signe Byrge Sørensen)
What Happened, Miss Simone? (Liz Garbus, Amy Hobby, and Justin Wilkes)
Winter On Fire: Ukraine’s Fight for Freedom (Evgeny Afineevsky and Den Tolmor)

ACHIEVEMENT IN COSTUME DESIGN

Winner *** Mad Max: Fury Road (Jenny Beavan)
Carol (Sandy Powell)
Cinderella (Sandy Powell)
The Danish Girl (Peter Delgado)
The Revenant (Jacqueline West)

ACHIEVEMENT IN SOUND EDITING

Winner *** Mad Max: Fury Road (Mark Mangini and David White)
The Martian (Oliver Tarney)
The Revenant (Martin Hernandez and Lon Bender)
Sicario (Alan Robert Murray)
Star Wars: The Force Awakens (Matthew Wood and David Acord)

ACHIEVEMENT IN SOUND MIXING

Winner *** Mad Max: Fury Road (Chris Jenkins, Gregg Rudloff, and Ben Osmo)
Bridge of Spies (Andy Nelson, Gary Rydstrom, and Drew Kunin)
The Martian (Paul Massey, Mark Taylor, and Mac Ruth)
The Revenant (Jon Taylor, Frank A. Montaño, Randy Thom, and Chris Duesterdiek)
Star Wars: The Force Awakens (Andy Nelson, Christopher Scarabosio, and Stuart Wilson)

ACHIEVEMENT IN MAKEUP AND HAIRSTYLING

Winner *** Mad Max: Fury Road (Lesley Vanderwalt, Elka Wardega, and Damian Martin)
The 100 Year Old Man Who Climbed Out a Window and Disappeared (Love Larson and Eva von Bahr)
The Revenant (Siân Grigg, Duncan Jarman, and Robert Pandini)

BEST LIVE ACTION SHORT FILM

Winner *** Stutterer (Benjamin Cleary and Serena Armitage)
Ave Maria (Basil Khalil and Eric Dupont)
Day One (Henry Hughes)
Everything Will Be Okay (Patrick Vollrath)
Shok (Jamie Donoughue)

BEST ANIMATED SHORT

Winner *** Bear Story (Gabriel Osorio and Pato Escala)
Prologue (Richard Williams and Imogen Sutton)
Sanjay’s Super Team (Sanjay Patel and Nicole Grindle)
We Can’t Live Without Cosmos (Konstantin Bronzit)
World of Tomorrow (Don Hertzfeldt)

BEST ANIMATED FEATURE

Winner *** Inside Out (Pete Docter and Jonas Rivera)
Anomalisa (Charlie Kaufman, Duke Johnson, and Rosa Tran)
Boy and the World (Alê Abreu)
Shaun the Sheep Movie (Mark Burton and Richard Starzak)
When Marnie Was There (Hiromasa Yonebayashi and Yoshiaki Nishimura)

Spotlight winning Best Picture is no real shock. Out of all the nominees listed, Mark Rylance winning for Bride Of Spies is the most baffling choice on the list. Tom Hardy, Stallone, or Mark Ruffalo would've been better choices to pick up the win, and Tom Hanks is the only one, who truly deserved a nomination from the Bridge Of Spies cast. Although, and this is just a conspiracy theory on my part, but I get the feeling the powers that be felt the need to give Bridge Of Spies SOMETHING, because it's a Spielberg film.

DiCaprio walking away with Best Actor was no real surprise, I'm happy he won, and the only other acceptable choice to win would've been Bryan Cranston. Also, to add to the "it's Leo's night" stuff, I had the feeling they made sure to cut the other acceptance speeches short (cue the music!) to make sure DiCaprio had more than enough time to say what he wanted to say.
 
All anyone's talking about is Chris Rock's opening in which he jokes about the #OscarSoWhite controversy, or at least that's all that's getting covered on the news. I watched some of it and I can't say I found any of it particularly funny, I found it more awkward than anything else. I mean, the various nominees for the films, didn't seem to know how to react like if they should applaud, laugh or whatever. Truth be told, and this is just a feeling I've got, I don't think any of them really gave much of a shit about it because they just wanted to get on with their night.

I watched the first hour or so before I flipped it off. The Oscars has to be the single most boring telecast of the entire year; it's such an uptight, plodding, ceremony in which the vast majority of the audience only gives a damn about a handful of the categories.
 
I would never watch the whole Oscar broadcast, I'm not a sadist.

People seem pleased DiCaprio won. Personally I cared more about Damon's potatoes or Fassbender's Apple product launches than his quest for vengeance.

I'd forgotten I had seen Bridge of Spies until Mark Rylance won.
 

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